Andrés Segovia

Although entitled "Guitar Masterpieces" the music is MOSTLY big band with some guitar lead. This CD does not feature the guitar. Very disappointing.....

This has been one of my favorite CD's for a long time. So much so, I bought a copy for my new boyfriend [I was afraid he might want to borrow my copy and not give it back ;-) ]

And the most special little nugget on this CD is the Theme from the Deer Hunter. This nearly brings me to tears every time I hear it. So moving and powerful.

If you enjoy classical guitar, You will love this collection.

While I always prefer CDs featuring a few composers, having a focus, this CD does a great job at going from all the medley of essential guitar pieces. It's got all the ones I'd like to have, in that sense "Essential" is correct. The recordings are good, I knew about half/two thirds of the pieces, and I'm not always wowed but never disappointed by the performances, in some cases very pleasantly surprised, esp. those by Eduardo Fernandez, Nicola Hall, and Pepe Romero. A discovery: the Estudio Brilliante, by Allard (end of CD2). I really like to put this CD in the background at work (on iPod), at home. My wife is a professional musician (violin) and cringes at bad performances and isn't interested in average usually, so it's telling that she also likes this CD. In fact, it's soothing and relaxing enough that it's actually put her to sleep once! Overall, I really like two thirds of the pieces on this CD, the other ones are nice enough (I'll play through, but won't select them expressly), and there are a few great ones. And the price is great. What's not to like?

This may be the best money I've ever spent. I got 2-1/2 hours of bliss for less than what I'd usually pay for one CD -- and you know how it is with music. You buy an album because of a song or two that you love, and you find that you like maybe half the songs on it. There's not a single selection in this one that I would've left out. It includes Joaquin Rodrigo's Concierto de Aranjuez, performed by Pepe Romero on the guitar with the Acadamy of St. Martin in the Fields. I needed to replace my old LP recording of that. But I also get 30 other classical compositions and traditional Spanish pieces, each special in its own way.

Have you ever heard music that you wanted to last forever, maybe even to dive inside and live there for a while, immersing yourself in sound? That's how I feel about this collection. The only problem I have with it is that I bought it thinking it might be nice to listen to while I write. Not so. It's terrible for that. I'll sit with my hands poised above the laptop keyboard, assuring myself I'll get some work done while I listen. The music takes hold and carries me away.

I'm not expert at describing this or any type of music. I just know what I love. You might too, if you enjoy classical or Spanish guitar -- unless you have absurd expectations about combining listening with work.

This CD for me was a waste of money. Its just not what i thought it would be. Others may enjoy it but for me..it wasnt what i was hoping to hear.

This is an excellent CD to introduce yourself to Segovia or to have a nice collection of many of his better works. The Guitar is well recorded given the era in which it was recorded.

Highly recommended!

The rare moments of solace I find these days are usually in the company of Segovia, but considering that so much has been said about this guy in the last sixty years, it's hard to add anything else without sounding superfluous.

Segovia is for purists. He's not a showman, but rather he's the most authentic performer of classical Spanish guitar that you will find. This CD contains a generous number of selections that provide a tour of styles and time periods. The artist's competence is apparent as he makes the difficult sound relatively simple. He never seems overwhelmed by the challenges of the music, but instead it the master. Whether you are looking for sophisticated background music (some would consider this use a sacrilege) or for a front row seat at a home concert, this CD would be a great addition to your collection. Perhaps he will inspire you to bring forth greater sounds from your old wide-necked guitar!

The 24-bit remastering of these analog recordings from the 1950s and 60s is outstanding. Both disks are chock-full at almost 80 minutes each, and there are a good many songs you don't hear every day. Forty of the 41 tracks are solos, while a short Rodrigo orchestral movement concludes the set. Good liner notes are included. There is only a slight overlap between this 2-CD set and Deutsche Grammophon's 4-CD box set, "The Segovia Collection." I own over 40 classical guitar CDs, and this is easily among my favorites.

Segovia lovers are going to like this one. A wonderful collection. A lot of pieces I never heard before. This collection is a real treasure.

The essence of Segovia is expressed here.

I didn't realize what I was getting into when I tried out this collection of Segovia. I wanted to learn about the man and his music, and, WOW, what a bargain this collection turned out to be!

From Solos to Concertina's, there is so much music here that it will take me months to digest it all. I am very impressed with the quality of the mastering, Deutsch Grammophon did a wonderfull job at preserving the soundstage of the recordings, as well as the fidelity. Amazing clarity!

Components used for listening: TAD-60 Amplifier, Adcom GCD-700 CD player, Adcom GFP-710 Preamplifier, Altec 604-8G's in 620B Cabinets.

John Williams, David Russell, Christopher Parkening, Julian Bream, et. al. all owe a great deal to this now departed giant. If you own ANY classical guitar recordings, you should purchase this collection. It's not only the finest remastering available, but an equisitely fine selection of Segovia's contribution to the genre and the art.

Andrés Segovia was the great master of classical guitar. This set show us 400 years of music taken for the guitar, he was the first in give the guitar place like a cult instrument in 20th century through his works invaluable transcriptions of several instruments (cello, lute, etc.) of composers like Bach, Dowland, Manuel M. Ponce, Fernando Sor, Tárrega, etc.

The scope from Segovia has leaved footsteps in the great world of classical music, for his research and investigations about it. In this set we can listen pieces like "six pavanas" from the ending Age Middle of Luis Milán, and begginig of Rennasaince like Dowland's songs togheter Roncali Ludovico between others on CD 3.
Also show us the great spanish composer Enrique Granados, Torroba, Sor, icons of guitar music. I Basically bought this cd for "Pavane" 1-6 and that better found it in this GREAT SET. If you're a lover of Classical Music, or classical guitar this one of the greatest set box ever made in any genre!!!.

Andrés Segovia, Marquis of Salobreia, was born near Jaen, Granada, Spain. He became a guitarist against the double opposition of his parents. First, they opposed his learning the guitar and got him cello and piano teachers instead. When he persisted in teaching himself guitar, they opposed his becoming a musician. He sought a guitar teacher at the Granada Institute of Music when he studied there, but found none, so continued learning the instrument on his own. He made his debut at the Centro Artística in Granada at the age of 15. He played so skillfully that he was urged to become a professional soloist. He played in Madrid in 1912, at the Paris Conservatory in 1915, and in Barcelona in 1916, and made a wildly successful tour of South America in 1919. He made his formal debut in Paris on April 7, 1924, in a program which included a new work written for him by Albert Roussel, named Segovia. It was the first of many works which were written for him by distinguished composers, enriching the instrument's repertory as Segovia had elevated its artistic potential. His U.S. debut was at Town Hall, New York, on January 8, 1928.

Being self-taught, his technique was unique. It was, in fact, superior to that which was being taught at the time, and extended the flexibility and expressive possibilities of the instrument. The main difference was in the method of using the right hand for strumming and picking the strings: Segovia's method paid much attention to the means of attack: whether hard parts of the fingers, fleshy parts, or the nails were used; other subtleties that affected the dynamics of the instrument; and an economy of motion that allowed longer and more sustained playing. There were classical guitarists before him, and distinguished ones even when he appeared, but it was not an instrument that was regarded as a serious vehicle for classical music. Segovia personally changed that, and not by accident. No doubt affected by his parents' attitude toward his chosen career, he had a driving desire to make it so. He wrote numerous transcriptions of older music for lute and for the Spanish vihuela. He transcribed music of Bach, Haydn, Mozart, Chopin, Handel, and others. He commissioned works by Castelnuovo-Tedesco (notably the great suite Platero and I), Falla, Turina, Tansman, Villa-Lobos, Torroba, Ponce, and Rodrigo, whose Fantasia para un gentilhombre was written for him. His reinstatement of the guitar as a solo instrument was sealed by his becoming one of the great teachers of music history. He established guitar schools or courses at the Accademia Musicale Chigiana, Siena, Santiago de Compostela, and the University of California in Berkeley. His students included Alirio Diaz, Oscar Ghilia, and John Williams.

Segovia become one of the great names in classical music, whose mere name was enough to sell out houses worldwide. He received numerous awards and honors during his lifetime, including the Grand Cross of Isabela and Alfonso, the Gold Medal of the Royal Philharmonic Society of London, and many honorary degrees. The house where he was born had a commemorative plaque attached to it in 1969 proclaiming him the "leading son of the city." King Juan Carlos of Spain ennobled him as the Marquis of Salobreia in 1981, and in the same year a Segovia International Guitar Competition was established in his honor. He continued to give recitals and concerts until an advanced age, and had the rare opportunity, in 1984, of playing at a gala concert honoring the 75th anniversary of professional debut.

there probably wasn't a classical guitarist alive in the 1950's and 60's who didn't know by heart all of segovia's decca albums and julian bream's spectacular recordings for rca and westminster. this set will be a stroll down memory lane for everyone with segovia schott editions in the attic, and essential listening for anyone interested in the classical guitar or in discovering a genuine musical genius -- the equal on his instrument of casals, rubenstein or heifitz on theirs.

segovia literally created the 20th century classical guitar out of an instrument with a cachet not far above the banjo. the booklet to the boxed set gives a fine overview of segovia's career and recording practice, though omitting many key details. (segovia innovated guitar concerts in large concert halls because he was among the first to use his fingernails, rather than bare fingertips, to pluck the strings, and pushed guitar makers to build larger, brighter and more sonorous instruments.)

each of the 4 separately cased cds generously samples (up to 80 minutes each) from (1) the guitar concerto; (2) 20th century compositions dedicated to segovia; (3) pieces for lute, vihuela and 19th century guitar, with some albeniz transcriptions thrown in; and (4) segovia's transcriptions of pieces by j.s. bach.

the digital sound in these recordings (almost all from the 1950's) is really superb, giving contour to every detail of the master tapes. it also reveals the changing recording standards of the early lp: though the sound is consistently vivid and balanced, the guitar is sometimes distant and echoy (a "tile bathroom" sound characteristic of the earliest lp's), or intimate but slightly muffled, or bright and contrasty with a hint of added reverb at the top. i was a little taken aback by the uneven dynamics and nail clatter that i hadn't noticed years ago in segovia's playing: modern recording and performance practice have changed expectations toward a more homogenous and finished sound. but there is a spontaneity, fire, grace, color, imagination and wit in segovia's playing that you won't find anywhere else ... well, excepting julian bream.

it's picky to second guess editorial decisions in a set as generous as this ... but what the heck: i really missed tansman's lovely suite of polish dances ("cavatina"), regretted the absence of a complete sonata or suite by manuel ponce, and would trade the boccherini "guitar" (transcribed cello) concerto for the castelnuovo-tedesco guitar concerto. that said, the performances here of rodrigo's "fantasia para un gentilhombre" and ponce's "concerto del sur" are among the best available, and the generous sampling sor etudes will remind all us graying guitarists of the many happy hours we spent practicing these pieces from the only edition then available -- segovia's own.

deutsche grammaphon has also released a 2-cd set of segovia recordings ("the art of andres segovia"), which duplicates only four pieces from this 4-cd boxed set, and veers more toward colorful transcriptions and single movement selections from longer works. together they make a 6 cd collection of many of the finest recordings by the man who started it all, spawned thousands of heirs and imitators -- and set the bar for them very, very high.

This is the PERFECT retrospective boxed set. DG has outdone itself with this career retrospective of Spanish classical guitar legend Andres Segovia. The set was released on the 15th anniversary of Segovia's death in 1987. From the famous "Fantasia para un gentilhombre" to transcriptions of J.S. Bach for the guitar, all four CDs showcase nothing but the genius of Segovia. The remastered DG recordings sound terrific and the accompanying booklet, complete with photographs from throughout the master's life in Spain, is excellent. If you love Spanish classical guitar and adore the 19th-Century romantic style of playing championed by Segovia, buy this set. You won't be disappointed. VERY HIGHLY RECOMMENDED.

This two disc CD contains much great peaceful music some of which you may had heard before. It is well worth adding to anyones classical music collection. Play this at the end of a hectic day and appreciate how music really can help calm you down.

This is arguably the most relaxing music anywhere. It is lovely to take a nap to, fall asleep to..... use your imagination to......

These are wonderful cds. They include Andres Segovia,Julian Bream, John Williams, Presti/Lagoya and Pepe Romero among other guitarist's. This two cd set has a rare performance of Segovia with the "Symphony Of The Air"performing Boccherini's "Cello Concerto in D". John Williams performing Bach's "Cello Suite In D" at seventeen years old. Also Ida Presti and Alexandre Lagoya performing Debussy's "Clair de Lune" and Granado's "Spanish Dance No.2 The Oriental". Presti/Lagoya's music has long been out of print and to the best of my knowledge this is the first time their music has been available on cd.These cd's have over 2 and a half hours of music and are well worth the money.

cd is good, but not great. the selection does not include the best of segovia, but does include some mediocre pieces, that students use for practice of the guitar technique.

I love this CD. My father had a record that I used to listen to when I was younger and I couldn't find it for years and had forgotten his name. Thanks to Amazon, I was able to search for it and listen to the clips. Thanks for bringing back the memories!

Segovia continues to amaze with his fluidity across the strings. Any one who appreciates guitar music should listen and learn from this master.

No classical guitar fan should be without this Segovia cd. Though I have these pieces on other Segovia cd's to have these beautiful pieces on one cd is great. Some of my favorite numbers which I myself play are on it and I can listen to these over and over again to improve my own performance.

Although I had been familiar with Andres Segovia for pretty much all my life, I never really heard or owned anything by the great Spanish guitar legend until I purchased this - "The Millenium Collection".
After listening to this CD only once, I've come to realize why Segovia is such an innovative legend. Every track on this CD whether it be Bach, Albinez or Rodrigo is performed with great passion and fire. The notes literally cascade from Segovia's fingers as if they were made of paper.
This CD comes as highly recommended for guitar fanatics. Whether you're into rock, jazz or classical, there is plenty of amazing virtouosity heard on this disc that will amaze you.
Segovia's influence can be heard in the playing of anyone from his contemporaries Julian Bream and John Williams to rock legends Eric Clapton and Steve Hackett.
Here, you get to hear the master at work and I must say, it is awesome!!!

I'll keep this short... if you love the guitar you need this recording along with the other Deutsche-Grammaphon complilations (The Art of Segovia and the boxed set). The recordings are beautifully remastered!

They didn't see fit to put the recitation of the poem on "Platero & I," just Segovia's guitar work, understandably. You can find it with the recitation on one of the MCA Classics releases from the late 80's/early 90's (The Segovia Collection, Vol. 8), which are brilliant for their organization of the Maestro's catalogue by category.

I recieved this Deutcshe Grammaphon CD for Christmas, and let me say I was impressed as much by Segovia still in his prime as I was the quality of the recording. Most of the pieces were recorded in the 1950's, however the quality of the recording would lead you to beleive it was recorded twenty years later. Though I would not place the quality of the recording as high as a currently recorded digital CD, it is incredible. This holds true for both discs, though the German recordings are better than the New York recordings. This CD shows a side of Segovia quite different from the recordings and performances years later. Segovia's interpretations are much less embellished and considerably more nimble. Honestly, I feel this is the recording that backs up the reviews of those who listened to Segovia years ago and do not feel the later recordings capture just how great he was. This recording towers over other similarly dated Segovia compilations. I strongly suggest it.

Parkening sets the standard for others to compare to. Enjoyable tribute to Segovia. The type of guitar mastery that one can relax to after a hard days work. Enough said.

I bought this cassette over ten years ago (1992) when I started taking classical guitar lessons. Would listen to it on the way home from work, then had a baby nine years ago and have used it for lullaby music (works like a charm) for afternoon naps and nighttime. Still listen to it in the car when the kids fight and they mellow out instantly.

Finally buying it on CD because I think I wore a spot out on the cassette! I have listened to this masterpiece at least a thousand times and have never, ever tired of this most excellent work of art.

If you are a classical guitar fan, you will absolutely adore every single note played on this album/CD. I promise!! :)

If anyone knows of a better sonically intoxicating cd than this please let me know. Possibly only Julian Bream's unreal 1982 Granados and Albeniz cd would top this one for me. Anyway just thought I would pass this thought along to anyone who may visit here. The tone is absolutely magical on this cd. This is the cd to listen to at night to chill out and get mellow while being enchanted to the max. Peace. I must go on... the tone, the tone. My god the tone.

Parkening shows how much he learned from Segovia. I have many of these pieces played by the Master. Parkening plays with a similar timbre, simlar dynamics and with a musicality just as deep as Segovia's. IF you like classical guitar you should own this one.

This cd will spend much time on my player. It is so lively, yet comforting music to listen to.

Parkening provides wonderful tribute to Segovia with Spanish compositions especially loved by the master, even some of them performed on one his Segovia's guitars.

For the classical guitar enthusiast, or just someone looking for that refreshing guitar music we here on the FM, this is a fine selection.

This CD transports you to a place without time, stress or concerns. You quickly stop thinking "how can he play like that?" and just accept that you are transported to a peaceful place.

Parkening has such a sensitive touch. He can make the softest song come alive into a world of its own with simple picking techniques. Or, on faster pieces, his brilliant interpretation and dexterity are truly amazing. You'll experience a wide range of emotions when listening to this CD, and you'll be in awe of Parkening's mastery of the classical guitar.

this is one of the best recordings on any instrument. Parkening is a truly great artist.

The best part of this CD is the Bach recordings. I could listen to the Fugue from Violin Sonata No. 1 over and over without let up--it's astounding. The Chaconne is one of the best recordings of that most exalted work by Bach. The main reason I didn't give this CD a 5-star rating are the non-Bach selections, which although played brilliantly, are not among my favorite compositions. The exceptions are the charming Renaissance pieces for lute and the impressively transcribed and skillfully performed "Empress of the Pagodas." To be sure, there are some beautiful and dazzling passages within many of the other pieces, which makes this CD definitely worth it. However, the best Parkening release is "The Great Recordings," which is a double-CD set with a greater variety of music and includes the Fugue and a few other recordings from this CD.

Christopher Parkening's work has always been nothing less than stellar. This particular collection of works is drawn from four previous releases (and also includes unreleased recordings), and is exemplary of his artistry and talent. The recordings are as crisp and clear as the day they were set down on tape. His expression and tone are without comparison. The selection of works on this particular CD show his ability to perform classics in the broadest range imaginable, and does so with ease.

The liner notes give great detail on each piece, including a brief history on Parkening himself. If nothing else, this brings the listener even closer to the performer, something I find rare in the classical music genre.

I once attended a concert given by local artists in a small church in Germany many years ago, and whenever I listen to this CD, it brings to mind memories of that afternoon. Parkening makes you feel as though you are in the room with him, listening in awe; you are never aware that he is playing in a studio at all.

Overall, this is a great example of one of the world's greatest classical guitarists (he's number one on my list).

I received it on time, nicely packaged and without an overload of advertisements.
thank you

During the live performance of Steve Hackett's acoustic "Live Archive 05" disc, he mentions an album entitled "Segovia Plays Bach" as being an influence on his acoustic classical guitar style. While I could never personally find an album under that title, this CD could very well have included tracks from the album that Hackett was referring to.
Every piece is this CD is extraordinarly performed and despite half of it being recorded in the early 1950's, the sound quality is fabulous throughout. It's easy to understand why Segovia has become such an influence to many musicians. His technique is flawless and original and his interpretations of these Bach pieces never fall below perfection.
This CD is highly recommended for any guitar fanatic as well as fans of Bach and Segovia. The music is great and the performances are historic and timeless.
Definitely a must!!!

The master's transcription of the famous d-minor Chaconne (originally for violin) is alone worth the price of admission. Recorded in 1954, it sounds almost as good as some of the other
pieces from the late 1960s. The famous Segovia vibrato is evident and tasteful throughout, the liner notes are descriptive, and the session information is abundant. Excellent release by label D.G. from the DECCA vaults.