Cam'ron

This album is on par with "Dr. Octagonecologyst" and "Supreme Clientele". Brilliant, passionate, subversive, funky and surreal. What Kool Keith does to scatology and animals, Cam'ron can do to cocaine-trafficking, misogyny and swagger. He makes an art out of being a ghetto hustler and over-the-top fashion icon. It may not be something everyone can listen to, but its what he grew up exposed to and what he can expound upon better than any journalist or satirist. On the song "Take Em To Church" he criticizes childhood friend and fellow Harlem rapper Mase for flip-flopping between pop-rapper and money hungry preist. Even with a thuggish mentality, Cam'ron can't hide his brains and morality.

Cam has one of the greatest flows you will ever hear. Always unimpressed and deadpan, he has a tone, rhyme scheme and wizardy with consonant sounds that makes MF Doom seem boring. Whats stunning is it seems effortless. His psychedelic slang isn't quite as absurd as Ghostface's, but much cooler and modern. Dipset were truly the first punk rock gangstas. They do the unthinkable and make it smooth. From sampling Cyndi Lauper to wearing pink to rhyming everything but the last word of a bar. They know how absurd they appear and feed off it. This album destroys taboo after rap taboo like being hosted by a young white Dipset affiliate and former drug customer as if to solidify their crossover appeal and fashion-forward hip-hop authority.

Cam'ron influenced the individualistic Lil Wayne we know today. But Cam'ron has a menacing air, sense of wit and lyrical skill that Lil Wayne will probably never have. Its really surprising Cam'ron made it on to mainstream radio with such cerebral similes/metaphors and transgressive content. One of my favorite rhymes and images: "We tie dynamite to the rhino tight" His follow-up "Killa Season" doesn't have the stunning writing, beats, energy or overall style of "Purple Haze". But in the realm of hip-hop, this album is as important as the Jimi Hendrix album of the same name is to rock'n'roll. Classic.

Although he might not have made some of the best decisions in his career, Cam'ron has always been held in high regard in the hip hop community. From his initial releases in Come Home with Me and S.D.E., Camron showed his lyrical abilities, his insightful glimpse into his troubled upbringing, and gritty hood tales over banging beats. With his progression from a local hiphop phenom, to a national star, his level of game has increased. Although he has been at odds with alot of the hip hop elite, namely Jay and Nas, no one can deny the swagger and talent that Cam'ron possess.

Now, as far as this album, this will go down as one of hiphop's greatest CDs. Filled with AMAZING beat selection, and witty lines from Cam'ron and his compatriots "The Diplomats", this cd is fantastic for its bombastic beats and its entertaing rhymes. Although Cam'ron's lines can sometime appear overy simply or even misogynistic, this is still an entertaining CD that will leave you and everyone who listens to it at ease.

A great CD. Please cop today.

One or two good tracks, the rest pretty average...has this irretating "Killa" announcement before each song...need to beg Rock-a-fella records for forgiveness and see the light again...

YO this CD is good as hell its Cam'rons best album, its way better than killa season. This cd showed how much potential dispet had when they were with rocafella. every CD they dropped when they were with the roc was good as hell, now there just average.

This is could be Cam's best effort. I'd have to say that this, Come Home With Me, and Killa Season are his best albums. The production on this album was TIGHT and the lyrics were dope. Purple Haze does not disappoint and this is well worth the money. You will like this especially if you like Dipset or have been following Cam'ron his whole career. Every song on here is either HOT or GOOD and none of the songs are wack. Go pick this one up now!

TOP TRACKS
Intro
More Gangsta Music
Leave Me Alone Part 2
Down and Out
Family Ties

stop hating dipset, people. if u don't like cam's style THATS FINE, i really don't care. but don't start dissing him, saying that he sucks and that he fell off. cam has had the same flow and remained with his harlem-world, underground roots since his first album all the way up to killa season. and don't accuse him of going pop either. he is one of the most hardcore gangster rappers out right now. plus, why do hate the fact that he wears pink ssooooo much?? is it that bad? are yall really that homophobic? dipset may not sell as many records as the huge corperate labels but they are mad underground and get hella love in the street. dipset fans are some of the most real, true fans out there. it is a movement. cam started it all by getting dudes like jim jones and juelz famous. then helps other guys like hell rell, 40 cal, jr writer. that is REALLY taking the streets with you. if u can't feel that then youre an idiot. peace, DIP SET!

Im not the least bit surprised that we have a top 500 reviewer giving this garbage album four stars. Let me explain some things to you. Cam'ron had potential to be great when he first came out. Confessions Of Fire was a mediocre album and S.D.E. was the closest to a decent album that Cam'ron was going to get. The only thing that stops those albums from being the great albums they could have been is what's been plaguing Camron for years: his eagerness to cater to the commercial crowd at the risk of making a gigantic a** of himself. This album marks the end of his potential and the beginning of his over the top corniness. Oh Boy feat Juelz Santana was a terrible first single and all the throwaway beats that Just Blaze gave him(including Oh Boy) should have been thrown away. Losin Weight part 2(Juelz Santana) is a weak sequel to the original off of S.D.E which featured Prodigy of Mobb Deep. Cam'ron falls on his face when he makes songs for the ladies as well-evidenced in Daydreamin and the Mister Rogers-sounding Hey Ma feat Juelz Santana. I Just Wanna is another joke not worth commenting on. On Fire Tonight is Cam telling a story of how he got burned by a chick with VD. The song is only good for cheap laughs an nothing else. The late Tupac Shakur has to be turning in his grave at the way Cam'ron totally mutilated Ambitionz Az A Ridah on Live My Life(Leave Me Alone) and shame on Daz for showing up on that track! There are a few songs that are decent on here like the title track with Jimmy Jones and Juelz Santana, Welcome To New York City(feat Jay-z and Juelz), Stop Calling feat Mcgruff(who was the saving graces of that song), The Roc(Just Fire feat Beanie Sigel and Memphis Bleek) and Tomorrow(a decent tribute to his fallen friend, Bloodshed). But these songs are countered by hot garbage tracks like Boy Boy(Cam'ron at his dumbest), Dead Or Alive, I Just Wanna, Oh Boy, Hey Ma, I Just Wanna etc. Bottom Line: While Come Home With Me is not Cam'ron's worst album(Killa Season has that honor or dishonor), its the next worst thing. The production for ome of these songs werent bad but Cam'ron's kindergarten raps make those tracks disposable and not to mention that his crew is straight badunkadunk on the mic. Only reccommended to those die-hard Cam'ron fans....if they even exist anymore! Standout Tracks: WELCOME TO NEW YORK CITY, STOP CALLING,COME HOME WITH ME and THE ROC(JUST FIRE).

I like this album cause it hits on every aspect of being a man. It talks about hustling, girls, and losin your partner. I would love to have this Cam back.

Straight up: Dip Set is garbage. This album is no exception, although in comparison to all the albums that they released, this is one of the better ones. Trufully, Cam'ron has very limited lyrical skills, and it displays throughout this album. Although during this time this album was released, he was just signed to Jay-Z's Roc-A-Fella Records (you saw how long that lasted). Also around this time, some of the Dip Set artists (Jim Jones and Juelz Santana) were starting to surface. They themselves also weigh this album down. I did like the first single "Oh Boy". Also the second single "Hey Ma" was good also. The album's hugh highlight would be "Welcome To New York" featuring Jay-Z, that was well thought out.

The album also has many low points. A lot of these songs like "Loosing Weight 2" shows how very limited Cam'ron's skills are behind the mic. Memphis Bleek and Beanie Sigel do absolutely nothing for the song "The Roc". Production is good, like the Daz produced "Leave Me Alone", but Cam couldn't pull it together. Just Blaze and Kanye West would also toss in a few beats on this album also.

"Come Home With Me" is average at best. It has a few good songs and a lot of skip material. If you're used to hearing Cam on albums, then you might want to check this out for a few good tracks, or download it to hear how it sounds like. This isn't one I could fully get into.

Lyrics: C
Production: B+
Guest Appearances: C-
Musical Vibes: C
Overall: C

Favorite Tracks: Oh Boy, Welcome To New York City, Hey Ma,

Peace Everyone!

Every track on this album is hot.His two albums"confessions of fire and S.D.E." was garabage.Every dipset fan better have this album.If you like gangsta rap,party rap,pop rap,and R&B rap.It's all in there.

Cam'ron's first single 357 showed that he had potential but his second single Horse & Carriage made people sleep on him and this album. Now this album is not great by any means but its decent at best. After a silly intro, the albums starts off with Glory(feat Noreaga) which is not bad. 357 was a great first single because Cam actually spit on that track. The track Death is hilarious because its Death teasing and taunting Cam'ron about his fear of dying. Confessions is Cam'ron giving the most ridiculous confession to a priest that you'll ever hear but this track is one of the better songs on the album. Cam'ron gives two honest attempts at songs of substance with Prophecy(feat Kelly Price) and D Rugs. On Prophecy, Cam'ron gets introspective plus Kelly Price on the chorus was a nice touch and D Rugs is Cam telling a story of how his mother was a addicted to drugs. Shanghai is a comical account of Cam'ron robbing a restaurant. There are songs that stop this album from being the great album it could have been. Horse & Carriage is garbage and why he thought Mase would have made this song better by being on the hook is beyond me. Both the Jermaine Dupri featured tracks, Rockin & Rollin and A Pimp's A Pimp are studio trash can material. We Got It is straight up filler. Cam also falls flat when he tries his hand at songs for the ladies like Me & My Boo(feat Charli Baltimore) and Feels Good(featuring Usher. Bottom Line: While Cam'ron's Confessions Of Fire is not the best album of 1998, its one of his best albums and is better than the hot garbage he has been putting out lately. Cam'ron's rhymes on certain tracks were better than the way he raps now. He blow this one out the water with S.D.E. though. Standout Tracks: GLORY, 357, WRONG ONES, DEATH, PROPHECY, D RUGS, CONFESSIONS, SHANGHAI and WHO'S NICE.

all i gots to say is why doesn't anybody give props to Big L?
L is the reason why Cam and Mase even Hova are where they are for putting them on before they were big. Now the only time i heard L get shoutted out was by Premo and Guru on the start of the Full Clip album. R.I.P to the best MC of all time because he sends garbage mcs to DA GRAVEYARD.

GLORY WILL ALL WAY'S BE MY NUMBER ONE SONG THAT CAM MADE,ALSO A MUST PERCHASE!!!

I haven't heard this album.

But remember that episode of the Simpsons, with the homosexuals working in the steel mill?

This album cover bears an uncanny resemblance to those guys.

A great debut by the man that dons himself Harlems Finest.
Only the confident can go and put their moms on a album.
357 ah man iz crazy. Horse and Carridge probably will be the most known off the album but I know that its not the best song the album has to offer. From this point the game has to be aware that he will be here for awhile.

I wished i never did pick this album up at the store.He's trying to be something that he is not.A gangsta.This album is too weak. The singles "let me know and what the world means to you" are garabage.He could of did better than this.

I wished i never did pick this album up at the store.He's trying to be something that he is not.A gangsta.This album is too weak. The singles "let me know and what the world means to you" are garabage.He could of did better than this.

Cam'ron was never a great Mc but he had potential to be one. This album was proof of his potential. There are tracks where he shines bright like Double Up(feat Juelz), Where Im From(feat Dutch and Spade who cam floored on the track) and Losin Weight(feat a tight performance by Prodigy). He also shines when he tries his hands at songs of substance. Do it Again(feat Jimmy Jones) and Sports, Drugs and Entertainment. That's Me is a good start off track. What weighs this album down are Cam's pathetic attempts to reach the commercial audience with foolishness like What Means The World To You, Freak, All The Chickens and F*** You At(feat Nore's weak a**). Whatever is painfully bad and Come Kill Me sounds like the prototype for every other silly record that Cam came out with after this album. My Hood is another weak track that is edited for some reason. I gave Let Me Know a pass but Violence feat the late ODB is straight up dumb. If You can look past these flaws you will find that S.D.E. is Cam'ron's best album. Unfortunatley it all goes downhill after this album. Standouts: DO IT AGAIN, WHAT I GOTTA LIVE FOR, DOUBLE UP, LOSIN WEIGHT, WHERE I'M FROM and LET ME KNOW.

I thought it would be a waste of time buying this guy C.D., but it was good and da seller made it throught whoever it was.

This album so for will and better be known to the world as "Cam at his greatest". S.D.E. (Sports,Drugs and Entetainment) is the best that I've heard Cam go hard on. If anyone out there ever slept on this album , take a listen then you'll know that Cam is serious. I believe this is why people think Cam fell off now because they know what he did in these times. I ask the question, Why do you think that Killa was recognized by B.I.G. people at the time? You may think hookups but I say Diamond in the ruff. Klassic, LET ME KNOW...

cam should get popped just for being himself his whole career is a joke cam can you please kill youself and take crackhead looking jim jones with you and jewell santana.

Cam'Ron Giles comes back with his 5th and most contreversial album. The streets say Cam'Ron is gonna end up like the great Tupac Shakur, and thats well....dead. "If G-Unit don't get you Jay-Z will."

Killa Season was overall an ejoyable album. The album intro called "Killa Cam" starts of with 40 Cal Freestyleing, which is very unusual... who starts their album with another rapper freestyling on it's intro?? Cam does, I supose. after the one minute freestyle is over, the beat changes into one of the best beats and song of the album. the second song on the album is "He Tried To Play Me" featuring Hell Rell, a real hot song, slow beat nice catchy hook. the third track is "Leave You Alone" very weak production, I should say very annoying which is well shared with weak lyrics, filler material at its best. The next is "Living A Lie" featuring Mo' Money, production is decent at best, hook is too simple. "We Make Change" follows which is better than the two previous tracks nice production, and nice collab with Juelz Santana. After the interlude The 2nd single "Wet Wipes" follows, Beat is great, hook is catchy, Killa's flow is amazing, but his do lyrics do slip at times. After getting pumed up from listening to "Wet Wipes" the first single of the album comes "Touch It Or Not". it Seems wierd to call a song "Touch It Or Not" especially scince he doesen't say touch it or not once through out the whole song, (I have Tte Non-Edited version) maybe he should hav saved the title for the edited version and called this one "Suck it Or Not". The song overall has a great beat, REALLY catchy hook, and some nice lines from both Killa and Lil Wayne("Vanilla Ice Cream She Say Ohhh My Favorite"- Lil Wayne)and also the blond lesbian girl in the video is REALLY Good looking and fits the description of killas rhymes at that time. "War" Featuring Hell Rell is decent at best.

Half way through the album I was already tempted to shut of my boom box, but listening to the 2 singles made me want to continue. So "Triple Up" Featuring 40 Cal is yet another filler track, there are some decent puchlinelines like ("I Was a legend since 19"- Killa Cam). listenting to I.B.S. is not easy, it has an anoying beat so i just skip it, NOTICE: THIS IS THE ONLY TRACK PRODUCED BY THE HEATMAKERZ. with that said "Get Ya Gun" is a diferent story if it wasn't cause a news repoter comes up 2 times on the song talking about how guns kill and all that. the beat is real hot the verses are better than most through out the album but most will hate it beacause he's telling kids to run and get a gun, beacuse it fun to shoot. "White Girl" has Cam trying to remake D-Rugs but failing miserably. "Girls, Cash, Cars" has a nice beat, very simple hook, nice punchlines overall an ok song. "Do Ya Thing (Remix)" has a very relaxing beat, really nice lirys, i would even dare say it is some what of an inspirational song. "Get 'Em Daddy (Remix)" is a very good song it features Hell Rell,J.R. Writer and Jim Jones nice punchlines from all except from Jim Jones who i consider the wackest member of Dip-Set ("You must have wrinten your will already if your saying our names"- Hell Rell, "You rappin' in direct, but it's lookin' like a movie shoot How they sendin' all these d*mn actors at the Set" -J.R. Writer, and "see i do react, HUD 6 threw me back, but few did clap But I ate those, them s**** was Scooby Snacks"- Killa Cam). after another dumb skit the worst song in the album comes "Something New" Feat. Hell Rell, nice slow beat but the punchlines are terrible ("Hell Rell and a model sittin' in a GT, K-I-S-S-I-N-G"-Hell Rell). Then Follows the infamous "You Gotta Love It" any dip-set fan or anybody who keeps their ears to the streets has heard this song before. but for those who haven't he goes after Jay-Z, with lines ("I know he 40 years old, I don't respect my elders I respect the hustlers, plus the grinders and the sellers You's a customer buster, here go jet propellers"- Killa Cam) it features Max B doing a really good and real CATCHY hook. the last track of the album is "Love My Life" feat. Nicole Wray. the track is nice and slow it ends the album well.

Overall the album could....no should have been pushed back for the better of it. There is too much filler material and too many mistakes production wise, If you look at the cd case it tells you how long each track is but for some reason those numbers aren't even close to accurate. his thank yous are to god and his son a writen in big letters so it looks like he said alot. that shows this was a real rushed project. the production is not as regular which is that Heatmakerz produce just about the whole album, no here Heatmakerz do only one track "I.B.S." . Another weak part in the album is that there are too many featured artist and most of them tend to outshine Cam'Ron aka Killa Cam. Cam'ron it to eager to start war with everyone through out the whole album he tells ALL rappers to start beef with him, he says he wants war but i don't think he can if he keeps puting out albums like this.

With the track time mistake in ALL THE SONGS, so much filler material, The 1ST SINGLE of the album name being writen incorrectly, with tracks that were in other albums being in here just to take up space (Expl. "War" was in the "Cam'ron Presents Dukadagod "The Movement Moves On" Cd.), there was only one track being produced by Heatmakerz, dip-set members all over the album making it feel like diplomatic immunity III, ovious typos and mistakes in the little booklet inside the case, this album is lucky to get 3 stars. But at the end of the day you can only blame 2 people, #1, The Artist- Killa Cam, and #2, The Executive Producer- Cam'ron Giles, and since they are both the same person it is easy to who failed at life.

My Top 5

1.He Tried To Play Me

2.Touch It Or Not

3.Wet Wipes

4.You Gotta Love It

5.Get Ya Gun or We Make Change

Beats- 3/5

Lyrics- 2/5

Punchlines- 3/5

Hooks- 3/5

Features- 4/5

Total 15/25 simplified = 3/5

simple math 3*s.

aight 1

INTRO: Ppl all over amazon are ranting about how bad cam is. But i ask...why do you listen to music that you don't like??? If you don't like camron or dipset you shouldnt buy their albums. I am sick of seeing all this negitivity towards dipset. They have their own style, and do their own thing. Cam, Juelz and Jim and all just having fun and making music that they like (as well as their fans). I think its funny to hear all these angry reviewers on amazon talk trash about how horrible cam is. HEY!!! guess what -you just PAID for this album and gave money to this rapper who you claim is sooo bad. Honestly though...if dipset is really that terrible..why do they have so many fans???hmmm???

Review: This is not a very good album, i know i know...but i have to defend it. cuz really underneath all the wacky lyrics, ridiculous soul-samples and different beats, its actually really good music. They are just makin music the way they want and getting paid alot for it. If YOU are new to dipset, then know that 'Killa Season' is a bad example of their style. This album is strictly for DIPSET fans

****For all the haters who dis the whole dpset movement, this message is for you
NO MATTER HOW MUCH HATE THEIR IS...dipset is gonna keep on moving...SO MOVE WITH IT, RUN FROM IT OR GET OUT OF THE WAY cuz there is nothing that you can do ;)

I'm gonna be very honest with y'all on here. I wasn't impressed about this Killa Season album. I only liked "He Tried To Play Me" and "Get Em Daddy (Remix)". I couldn't believe that I wasted almost $20 on it!!! I was really pissed when I listened to this album. Now I know next time before I get another album, especially a Cam'Ron album, that I will listen to the samples on Amazon or CD Universe first. It's not that Cam'Ron is a bad lyricist, in which I don't think he is that bad. But I really think that this whole album for the most part needs a makeover or something. The production and most of the lyrics are just... Trash! Cam step yo game up man!!! I give this album a 1.5 of 5 stars.

When Purple Haze came out, I was one of the first people to come to Cam'ron's defense on the quality of the album. A lot of people were hating on Cam, but I found Purple Haze to be one of the best commercial hip-hop albums in the late 2004/early 2005 season. The production was dope, and Cam'ron's flow was more on point than it'd ever been. Purple Haze made a genuine Cam'ron fan out of me; unfortunately, Killa Season has not only erased the good memories that I had bumping Purple Haze, but has also left a sour impression of Killa Cam in my mind.

When Killa Season came out, it was highly anticipated for myself. I was expecting Cam to follow the Purple Haze formula, and take it to another level. I was expecting a cast full of big-budget producers, and hot guest appearances from some of the industry's best. At the very least, I was expecting Cam to be on his A-Game, especially since he was launching a verbal war against the Jigga man. Not one of those wishes came true on Killa Season; in fact, every single one of those things I'd hope for were not only absent from this album, but they were substituted with some of the most dissapointing hip-hop I've ever had the displeasure to listen to.

The only producer you'll recognize in the liner notes of Killa Season is the almighty Alchemist; however, even geniuses can make mistakes, and that's no more apparent than his production work on Wet Wipes. The production is poor, and Cam'ron's flow and lyrics are both so inane that they'll have you thumping your head before the track ever finished; against a desk, or a wall, that is. What should've been a dope collaboration between one of the underground's best producers and one of the mainstream's most 'unique' emcees turns out to be one of the worst hip-hop tracks in recent memory.

Guests? DipSet. Not the better half of DipSet either - you get third-stringer tiers Hell Rell and 40 Cal on a handful of tracks while Jim Jones and Juelz Santana only make a couple guest appearances, suspiciously absent. The only non-DipSet guest is their regular affiliate, Lil Wayne, who drops undoubtedly the best verse on the album on the otherwise mundane Touch It Or Not.

Cam'ron himself? He's simply embarrassing on this release. He sings(yes, SINGS) some of the most asinine lyrics I've ever heard on He Tried To Play Me, while detailing his real life struggle with Irritable Bowel Syndrome(dear Lord) on the track appropriately named IBS. Both of these tracks will have you in hysterics throughout; not because Cam's delivering hilarious punchlines, but because they're, for lack of a better term, simply stupid. He tries to diss Jay-Z on You Gotta Love It, but ends up releasing a diss track that is less effective than even Ja Rule's Clap Back(and most certainly of lower-quality). His simple rhyme schemes can be forgiven when he's got hot beats, but his definiciencies as an emcee have never been more transparent than they are on Killa Season.

Up until the release of Killa Season, I had always defended Cam'ron against people who were claiming he was a wack emcee. He was never phenomenal in my mind, but the potential was always there; on Killa Season, everything is suddenly flushed down the toilet(no pun intended). Losing his spot as DipSet's man for humor to Jim Jones, his spot as the heir to any sort of throne to Juelz, and his spot as a 'real emcee' to JR Writer, Cam'ron has become nothing more than a washed-up emcee who was never great to begin with. No matter how much I wanted to like Killa Season, a year later, it's still as wack as it was the first time I heard it. Unless he can come back with the hottest album of his career next go around, Cam's career is over.

Why are they charging $48 , when you can download this for free at cam'ron's myspace page .... its legal .

This CD is just OK. Cam's lyrics are on point as usual, but the production choices are poo; except for cuts 7,12, and 17. I'm happy I only paid 99 cents for this.

This is a great album. I got this album the day after it came out. It is too bad that Cam'ron and The Diplomats are no longer singed under Roc-A-Fella Records.

1. Intro - Nice way to start off the album. 10/10
2. More Gangsta Music (featuring Juelz Santana) - Another classic Killa Cam/Santana rap song; this is hotter than "Oh Boy" and "Hey Ma". 10/10
3. Get Down - hot upbeat song about life. 9/10
4. Welcome To Purple Haze (Skit) - don't rate skits, but this one is funny as hell
5. Killa Cam - you may have heard this song on the Get Em Girls video. 10/10
6. Leave Me Alone Part 2 - this is better than part one on 2003's "Come Home w/ Me" album sampled from Tupac's "Ambitionz as a Ridah". 10/10
7. Down And Out (featuring Kanye West) - this is a hit on the radio and should have released a video for it. 10/10
8. Harlem Streets - The best song on the album!!! Enough said. 25/10
9. Rude Boy (Skit) - no rating; talks to a Jamaican dude on the phone
10. Girls - you probably heard the song and/or seen the video; still a great song because it was never overplayed. 10/10
11. I'm A Chicken Head (Skit) - an angry b***h is mad at him.
12. Soap Opera - Great song; sounds like a song that would be on "Come Home With Me". 9/10
13. O.T. (Skit) - finds another b**ch
14. Bubble Music - this song was all right; didn't really catch on, though. 7/10
15. More Reasons (featuring Jaheim) - worst song on this album; This is the type of song that should have featured Nate Dogg or R. Kelly. I wish this album included his other Jaheim collabo "Lord You Know". 5/10
16. The Block (Skit) - "Mizzle" talks about when he first met The Diplomats; introduces himself in the "Welcome To Purple Haze" skit.
17. The Dope Man (featuring Jim Jones) - hot collabo; sounds sort of like "Certified Gangstas". 9/10
18. Family Ties - you probably heard this song if you saw the Girls video; also on Diplomatic Immunity 2. 10/10
19. Adrenaline (featuring Twista) - him and his "nice" b***h head to Chicago and then jumps to an extremely hot collabo w/ Chi-Town's own, Twista; at the end of the song, he dumps the "mean" b***h and claims he's going to get some ass. 10/10
20. Hey Lady (featuring Freekey Zekey) - Freekey sings the hook and has a more recognizable voice on this record than on the hit single "Hey Ma"
21. Shake (featuring J.R. Writer) - terrible collabo with the newest member of The Diplomats. 7.5/10
22. Get Em Girls - the first single; came out at least a year before the release of this album. 10/10
23. Dipset Forever - tals about how him and his crew have it on lock forever. Kany West produced this track and when Cam'ron gives his shout-outs at the end of the song, it's funny when he says "Kanye's West"
24. Take Em To Church (featuring Juelz Santana) - antoher hot Killa Cam/Santana collabo; also on Diplomatic Immunity 2. 9.5/10

I like the documentary like feel to this movie. i like the stripped down rawness of it; in that sense it is not just another gang banger, not just another gang drama, or, maybe it is just another knock-off... it is just a movie about a day-in-the-life (day,week,month,year,decade... whatever). entertainment so unreal, yet it is real; and it is so real that it is unreal. it is appalling, it is horrific, and it is not cleaned up and polished off in the end, nor anywhere else throughout. for these reason, killa season is IT, far surpasses it's predecesor paid in full.

If you can make any sense out of it... then this movie just might be the one for you.

However, if youre not ready for the reality of unconsionable violence and... other shockers, well then, this movie most definately, probably, won't be for you (Haha). But, i like to be shocked, but the shock is something that is soooo hard to get these days; this movie shocked me, though, and it is one i will watch over-and-over just to analyze the truth of "what's shocking."

And is it acceptable to look directly into the face of... and possibly try to understand... what's going on. what's really going on.

I liked it for what it was it was decent. Not better than Paid In Full, but it is definitely worth having in your collection, if you like these types of movies and especially if you like Camron. I think he plays his parts very well. It was entertaining and should not be overlooked.Oh yeah, but I really need to see what happens after the fact, the second one should have BEEN OUT!

After seeing Cam in Paid In Full, I thought he was pretty funny and not a very bad actor. I could see him doing more movies....and then I saw Killa Season.....this was a terrible attempt at a movie. You would think with Dame Dash in his camp, he could have produced a better flick. The editing and acting is horrible. Even Cam's humor couldn't save this flick.

CAM'RON
KILLA SEASON

1.KILLA CAM-this track starts out with 40 CAL tearing it up over a nice instrumental, this kinda shows off 40's skill and lets people who may not usually listen to him have a chance to. But immediately following that is an amazing track from the star of the album CAM'RON. Over PRO V's amazing production Cam does as the track describes and kills this track. This has got to be one off the best songs on the album; he even speaks on the rumor that FREEKY ZEEKY snitched.5/5

2.HE TRIED TO PLAY ME-this track kinda gives me mixed feelings, mainly because the beginning drags on a little too long. The singing by them on hear is real cool and the way they do it to the piano is tight, but like I said it goes on to long. The beat and rapping don't start until like a minute and 27 seconds into the track, but once it does this track is nice. The piano driven production by CHARLAMAGNE and C ROC is excellent, and Cam does his thing on this track, plus HELL RELL makes is first appearance on this track.3.5/5

3.LEAVE YOU ALONE-this is another strong track from Killa Cam, Cam kills this track with his nice flow. The beat from BLACKOUT MOVEMENT is cool; I like it much better once it gets into the hooks and breaks. But Cam kills this joint solo without any guest appearances. This is one of the better tracks fro the album.4/5

4.LIVING A LIE-this track is all about the fakes out there, so if you a fake this track is about you. Cam does a good job with the story and lyrics on this track this is definitely an amazing track. The production from TYFIFE is excellent, I love the way it sounds dark and street at the same side. MO MONEY sounds good on the hook.4.8/5

5.WE MAKE CHANGE-JOHNATHAN DUGGAR provided a great instrumental for Cam and the great JUELZ SANTANA. Both do an excellent job on this track, this is another highlight for the album. The hook is off the chain on this track, and Cam kills this track as he switches up his flow for each verse. Santana sounds good with Cam on the hook.5/5

6.VOICEMAIL INTERLUDE-interlude

7.WET WIPES-one of my favorite songs from Cam ever, I don't care what other people say this song goes hard. The beat from The ALCHEMIST is superb, one of the best on the entire album with out a doubt. The instrumental is excellent with out a doubt and Cam does the beat justice with his verses. Cam kills this track easily with each verse, classic, good choice for a single.5/5

8.TOUCH IT OR NOT-one of the singles for the album, and I think it was a good choice. For some reason people hate on this track, but I don't understand why. The beat from The HEADBANGAZ is a great horn driven instrumental that deserves to be played. And Cam's verses are great and humorous, and LIL WAYNE's verse is nice as well.4.9/5

9.WAR-NOVA laced a killer beat for this joint, this is one of those tracks Dipset has been known for. The instrumental gets you hyped up, and HELL RELL kills this track easily. In fact this track sounds more like his track then Cam's. This track also has a nice hook with kids on it, Cam does his thing on this as well.4.5/5

10.TRIPLE UP-a nice track follows "WAR" in this song, another beat from the Headbangaz. This time around they have gone with a harder sound, it suits Cam well as it sounds like a typical Dipset beat. This is a tight track to bump in the ride, nice track over all.4/5

11.I.B.S.-this track has a nice instrumental brought to us by the HEATMAKERZ, I love the beat is sounds like an old school track. Cam holds it down nicely on this track, I recommend this track to everybody out there.4.5/5

12.GET YA GUN-this track starts out with a news clip about guns, then a banging beat from BIG TYME hits and Cam starts to kill it, this track is all about Cam talking about himself and his people. The hook is a little simplistic though.4/5

13.WHITE GIRLS-of course everyone has heard this song since it was one of the first songs leaked to the public. This track is all about his metaphor for drugs, a certain one in particular, I bet you can guess what that is. This has a nice instrumental with a cool piano in it from THE BEAT FIRM.4.8/5

14.GIRLS, CASH, CAR-STAY GETTING' PRODUCTIONS lace a nice beat for this one, it sounds like the typical Dipset beat though. Cam kills this track as he changes his flow up, and the hook is pretty catchy. "WE BALLIN' BIG BABY"4/5

15.DO YA THING {REMIX}-this track here is a nice change of pace following all of these hard songs, this track is real smooth. CHAD HAMILTON & RYAN PRESS drop a nice instrumental for came to do his thing. Cam of course kills it with a little of a switched up flow, nice track.5/5

16.GET `EM DADDY {REMIX}-this track is a hard joint that features Hell Rell, JR WRITER, & JIM JONES, all of which kill this track with their verses. And Cam does his thing on this track, but JR does his thing on this track. The hook is nice, and the beat from I.N.F.O. is bangin'.4.5/5

17.VOICEMAIL INTERLUDE 2-interlude

18.SOMETHING NEW-this is a nice piano driven that track to all the ladies out there, this is one of my favorite tracks on the album. BOOLA did his thing on the production tip on this one, and Cam & Hell Rell trade some nice verses over this tight track. This is another highlight of the album.5/5

19.YOU GOTTA LOVE IT-if any track was known by everybody out there this would be the one, of course this is the track were Cam speaks on Jay Z. like he says in his press conference this is not a diss, it is all truth. Every thing he says on here is facts that actually happened, take a close listen to the song, it is not a diss. I.N.F.O dropped a nice beat for this one.5/5

20.LOVE MY LIFE-this is one of those slower touching, reflecting type of song, this track is basically Cam talking about his past and his friends. Although his personal lyrics are nice, and a nice change of pace it is the hook by NICOLE WRAY. Her amazing vocals are great, the hook is probably my favorite thing about this song. Also the beat from Jonathan Dugger is great as well, over all one of the best songs on the album.5/5

21.EXCLUSIVE TRACK 1-this is a track by Hell Rell, and he does his thing on this track, in fact this should have been on an album for him. The beat is definitely a head knodder, and Rell does his thing on this track.4.5/5

22.EXCLUSIVE TRACK 2-this track has a killer beat to it, definitely on the level as the last track. The only difference is that this track is by JR Writer, and he does his thing as well on this track. The hook is real catchy.4.5/5

DVD

The DVD has previews and trailers for Cam's movie "KILLA SEASON", and some music videos for "GET EM' DADDY REMIX, TOUCH IT OR NOT, WET WIPES, & BIRD CALL". But the best thing about this is the press conference Cam held for the album where he addresses the shooting and the Jay Z beef.

I really enjoyed this movie for a relatively low budget film it was well dont. I thought Cam'ron did a solid job of acting just like he did in Paid In Full a few years back. The story was really predictable and the ending kinda sucked but supposedly there is a part 2 coming soon so we'll see what happens. I recommend this movie to all those who are fans of the in the hood type gangsta movies.