Lita Ford

A Definitive album which should be in any Metalheads collection. A Must have, this album Rocks from the first track to the last lick

Lita Ford became well-known for "The Runaways" in which she was a guitarist. Her solo carriere is also very famous. Her style is hard rock like it was during The Runaways. This collection is quite good...there's a couple of songs that bother me. Those songs are "Gotta Let Go" and "Only Women Bleed". Both songs are boring and "Only Women Bleed" is a Alice Cooper cover...one of the songs that I don't like. It is maybe the worst song Alice Cooper has in his collection. Other songs are very good. The duet "Close My Eyes Forever" with Ozzy Osbourne is maybe Lita Ford's best known song ever. "Lisa" is a great ballad...it is a great closing track for this collection. I wonder where's "Cherry Red" from "Stiletto". It is one of greatest songs Lita Ford has ever sung. Of course there's songs that made Lita Ford more popular...the erotic song "Hungry"...the wild songs "Kiss Me Deadly", "Shot of Poison", "Back to the Cave", "Playin' With Fire" etc.
Stars: Close My Eyes Forever, Hungry, Kiss Me Deadly, What Do Ya Know About Love

In my twisted mind Lita Ford is female Axl Rose. She rocks like no female artist have ever rocked before or after. And this cd represents whoshe really is. all tracks on this album are treasure. mighty ballad collaboration with Ozzy, cover of Alice Cooper's "Only women bleed", best of her own rock tunes. what more can you ask for? I think she deserves way more respect than Joan Jett & Melissa Etheridge. people, buy this album!!!

Some of the reviews her take shots at Lita's singing or writing, but the CD is a blast and there aren't any women in the music scene today that have a chance in hell of replacing Lita. Avril? Britney? Jessica? They aren't even close! Whose got the sexuality and metal attitude and can play gutiar and deliver high intensity fun the way Lita does on this CD? NOBODY! Those who pick on Lita's music on this page need to check their ears, and, if they are claiming to be men, check their pants and make sure they still got cajones 'cause if you don't get it ya must be oglin Elton John. Get this CD and remember the glory days before little brats mucked up the music scene and turned it once again into a sterile disco wasteland.

I bought this recording because of Ozzy appearance on "If I close my eyes forever" this is a great song!! however Lita Ford is a mediocre singer and an acceptable guitar player what else I can say!, If you find the above song in any other compilation buy it because the rest of the music on this CD is just GARBAGE!

This CD really showcases Lita's talent. Too bad we didn't hear more from her though. It's nice to have the CD since my original was on vinyl.

Lita Ford's self titled Album came out after a few shabby releases and exploded onto the scene with grinding guitars,quality music and a sexy image. Who can forget the video for Kiss Me Deadly ?

This album is one of my all time faves ! I did alot of partying to this album !

Everybody knows the hits Kiss Me Deadly and Close My Eyes Forever with Ozzy but give the rest of the cd a chance...

Having produced a couple of below par releases, Lita had a great attitude that just needed to be captured and assisted by a bit of spit and polish. This is the CD that did it all for her. Neither a stellar vocalist or guitarist a fantastic set of rock and rock pop numbers showcased that Lita was capable of being up there with the best of them both male and female. "Back To The Cave" opens it up with a broody sexiness that in no way needs to apologise for being about a woman who knows exactly what she wants. "Can't Catch Me" is her speed fest (realtively speaking) with an authorship by Motorhead's Lemmy. A great rock tune. "Blueberry" is my personal favourite with its sultry suggestiveness. In fact there is little sugestion and a lot of pointedness. A great song. "Kiss Me Deadly" is a cover of whom I can't recall but gave her the much needed hit single. Its okay if not as strong in my opinion as other originals on offer. "Falling In and Out Of Love" is a Nikki Sixx number which is a very classy track suggestive of the earlier Crue years in such songs as "Hollywood" and a bit of a borrow from "Too Young to Fall In Love". Other highlights are the synthed washed "Under The Gun" about rebels and the lonely lives they lead. Probably more about leather chaps on the Sunset Strip than on a mule in the desert. Closer of "Close My Eyes For Ever" is arguably the best song here although there are many. Its a grandeous duet with Ozzy. Nobody writes them like that anymore with bitter sweet longing. So as a summary there is plenty to love here and a recommendation to add this to your collection is all that remains for me to do. Recommended.

OK, Mike Chapman is best known for producing Blondie and writing songs with Holly Knight for countless artists (Heart, Tina Turner, etc.) but who would have thought he was able to jump-start Lita Ford's solo career into gear? After the forgettable Dancing On Edge and Out For Blood, Lita Ford switched labels from Polydor to BMG, got Sharon Osbourne as her manager, and some songwriting help from her producer as well as Nikki Sixx and Lemmy Kilimeister. Result: an album with a harder-edged sound and which yielded her two best charting singles.

"Back To The Cave" demonstrates Lita's fiery guitar-playing abilities and a sound that outdoes Slippery When Wet-era Bon Jovi, but then, she ups the mileage on the next song. "Can't Catch Me" with its express train guitar and organ keyboards is by far the best song here. Small wonder, as Motorhead's Lemmy wrote this. The sound more than makes Lita's point that she's no Sandra Dee, nobody to pushed around, and someone who appreciates a little taste.

The Chapman-penned "Blueberry" is a guitar rocker with Ron Nevison-like keyboard fills, but nothing that dilutes the metal in this song. With a refrain like "I'll be blue for you" and a line, "I take him hard, make it hard against the wall," well, figure it out.

Then comes the single that got Lita into the Top 40 for the first time. With metal guitar riffs and keyboards, but with pop sensibilities without diluting its power, "Kiss Me Deadly" seemed to be one exception to non-thrash groups that weren't churning out pop metal but still making it in the charts--I count Def Leppard, Cinderella and Motley Crue as other heavier than average charting groups, for example.

Which reminds me; "Falling In And Out Of Love" was co-written by Nikki Sixx of the Crue, where the protagonist does the title in her daydreams and fantasies after a real love yielded a cold winter.

"Fatal Passion" ends the heavy metal streak on this album, as things become more tempered soundwise and thematically for the next three songs, starting with the haunting keyboards and drums of "Under The Gun," soon to be accompanied by guitar.

Seeking some solace after the disillusionment of "Broken Dreams" and longing for a naive idealistic outlook of yesterday is underscored by a heavy guitar and keyboards.

The final song, "Close My Eyes Forever," a sobering and melancholy song of betrayal and regret that drove one to death was both sung and written by Lita and Ozzy, with terminal overtones: "And when we sleep, would you shelter me/in your warm and darkened grave." A tragic operatic aura of a final sleep is created by the synths in the last chorus repeat. Given what Ozzy went through with the "Suicide Solution" trials, I was surprised no-one went after him and Lita for this song.

In the early 80's, it was impossible for Lita Ford to get into the mainstream. In 1988, with groups like Bon Jovi, Europe, Poison, and Motley Crue having paved the way for hard rock/metal for mass acceptance, it was possible for Lita, and with results that outdid most male metal bands. Third time's the charm, with some deadly kissing metal.

Don't listen to the putzes who tell you Lita can't rock because she's female and sexy as hell. It's sexist bullsh*t. She IS a lady who is sexy as hell BUT she rocks too and this is a great CD with some killer cuts and a helluva lot of awesome blistering guitar. Lita f*cking rocks!!

LITA FORD IS AWESOME IN MORE WAYS THAN ONE. THIS IS ONE OF HER BEST CDS BEHIND THE LITA CD FROM 1988. THE ALBUM ROCKS FROM START TO FINISH WITH AN AWESOME REMAKE OF ALICE COOPER'S "ONLY WOMEN BLEED" DONE TO PERFECTION. TRACK 6 "THE RIPPER" REALLY ROCKS AND IS MY FAVORITE OFF THE CD. THIS CD ALSO PRODUCED TWO GREAT HIT SINGLES IN 1990 WHICH WERE "HUNGRY" AND THE HEART-FELT "LISA",THE LATTER BEING ABOUT HER MOTHER. LITA LAYS DOWN SOME EXCELLENT GUITAR WORK ON THIS CD AND MUSIC SOUNDS GREAT REMASTERED.I HIGHLY RECOMEND THIS ALBUM FOR LOVERS OF GREAT HARD MELODIC ROCK.

Stilleto is a awesome! Lita is the Queen of Noise and one of the all time great female rockers and an absolute pro! Buy this now!

Both "Lita" and "Dangerous Curves" were very good but I think this might be her best one yet. Lita Ford is the best female rocker of all. Strong vocals, good quality hard rock and roll, and some very nice ballads. She does it all well. Would love to see some more music from her. If you're a Lita fan, this is a must own. If you don't know who she is, this CD is a great start.

"STILETTO" IS MY FAVOROTE ALBUM FROM LITA FORD FOR GOOD REASON. THIS ONE IS NOT TOO POP FLAVOURED LIKE "LITA" AND HAS THE PERFECT COMBINATION OF HARD&FAST AND BALLAD SONGS. THANKFULLY LITA'S FAN BASE HAS BEEN SLOWLY GROWNING AND THE FABULOUS GEM OF AN ALBUM IS GAINING THE RECOGNITION IT DESERVES. SOME OF THE HIGHLIGHTS ARE THE TITLE TRACK,"HUNGRY","BAD BOY","CHERRY RED" AND "ACES & EIGHTS" AMONG OTHERS. OVERALL ANOTHER ALBUM OF PERFECTION FROM THE QUEEN OF METAL. I RECOMMEND THE FOLLOWING CD'S: LENNY KRAVITZ-"LENNY, RES-"HOW I DO", THE RUNAWAYS-"THE BEST OF THE RUNAWAYS", CREE SUMMER-"STREET FARIE" & JANE CHILD-"JANE CHILD", "HERE NOT THERE"& "SURGE".

This is a undertated cd ive owned it since it was first relased first on tape then i had to hunt for years for the cd it was out of print for many years 10 rocking tracks the first and last tracks are gutiar solos it contians a alice copper cover of only women bleed and a moving triubte to her mom in the power balad lisa and a few of my favoite lita tracks aces and eights and the only woman bleed cover. With the exspection of big gun theres nothing i would consider filler its a shame this disk got lost in the hair band mess of the late 80s and early 90s so what are you wanting for buy this cd now while you have the chance

This CD really showcases Lita's talent. Too bad we didn't hear more from her though. It's nice to have the CD since my original was on vinyl.

Lita Ford's self titled Album came out after a few shabby releases and exploded onto the scene with grinding guitars,quality music and a sexy image. Who can forget the video for Kiss Me Deadly ?

This album is one of my all time faves ! I did alot of partying to this album !

Everybody knows the hits Kiss Me Deadly and Close My Eyes Forever with Ozzy but give the rest of the cd a chance...

Having produced a couple of below par releases, Lita had a great attitude that just needed to be captured and assisted by a bit of spit and polish. This is the CD that did it all for her. Neither a stellar vocalist or guitarist a fantastic set of rock and rock pop numbers showcased that Lita was capable of being up there with the best of them both male and female. "Back To The Cave" opens it up with a broody sexiness that in no way needs to apologise for being about a woman who knows exactly what she wants. "Can't Catch Me" is her speed fest (realtively speaking) with an authorship by Motorhead's Lemmy. A great rock tune. "Blueberry" is my personal favourite with its sultry suggestiveness. In fact there is little sugestion and a lot of pointedness. A great song. "Kiss Me Deadly" is a cover of whom I can't recall but gave her the much needed hit single. Its okay if not as strong in my opinion as other originals on offer. "Falling In and Out Of Love" is a Nikki Sixx number which is a very classy track suggestive of the earlier Crue years in such songs as "Hollywood" and a bit of a borrow from "Too Young to Fall In Love". Other highlights are the synthed washed "Under The Gun" about rebels and the lonely lives they lead. Probably more about leather chaps on the Sunset Strip than on a mule in the desert. Closer of "Close My Eyes For Ever" is arguably the best song here although there are many. Its a grandeous duet with Ozzy. Nobody writes them like that anymore with bitter sweet longing. So as a summary there is plenty to love here and a recommendation to add this to your collection is all that remains for me to do. Recommended.

OK, Mike Chapman is best known for producing Blondie and writing songs with Holly Knight for countless artists (Heart, Tina Turner, etc.) but who would have thought he was able to jump-start Lita Ford's solo career into gear? After the forgettable Dancing On Edge and Out For Blood, Lita Ford switched labels from Polydor to BMG, got Sharon Osbourne as her manager, and some songwriting help from her producer as well as Nikki Sixx and Lemmy Kilimeister. Result: an album with a harder-edged sound and which yielded her two best charting singles.

"Back To The Cave" demonstrates Lita's fiery guitar-playing abilities and a sound that outdoes Slippery When Wet-era Bon Jovi, but then, she ups the mileage on the next song. "Can't Catch Me" with its express train guitar and organ keyboards is by far the best song here. Small wonder, as Motorhead's Lemmy wrote this. The sound more than makes Lita's point that she's no Sandra Dee, nobody to pushed around, and someone who appreciates a little taste.

The Chapman-penned "Blueberry" is a guitar rocker with Ron Nevison-like keyboard fills, but nothing that dilutes the metal in this song. With a refrain like "I'll be blue for you" and a line, "I take him hard, make it hard against the wall," well, figure it out.

Then comes the single that got Lita into the Top 40 for the first time. With metal guitar riffs and keyboards, but with pop sensibilities without diluting its power, "Kiss Me Deadly" seemed to be one exception to non-thrash groups that weren't churning out pop metal but still making it in the charts--I count Def Leppard, Cinderella and Motley Crue as other heavier than average charting groups, for example.

Which reminds me; "Falling In And Out Of Love" was co-written by Nikki Sixx of the Crue, where the protagonist does the title in her daydreams and fantasies after a real love yielded a cold winter.

"Fatal Passion" ends the heavy metal streak on this album, as things become more tempered soundwise and thematically for the next three songs, starting with the haunting keyboards and drums of "Under The Gun," soon to be accompanied by guitar.

Seeking some solace after the disillusionment of "Broken Dreams" and longing for a naive idealistic outlook of yesterday is underscored by a heavy guitar and keyboards.

The final song, "Close My Eyes Forever," a sobering and melancholy song of betrayal and regret that drove one to death was both sung and written by Lita and Ozzy, with terminal overtones: "And when we sleep, would you shelter me/in your warm and darkened grave." A tragic operatic aura of a final sleep is created by the synths in the last chorus repeat. Given what Ozzy went through with the "Suicide Solution" trials, I was surprised no-one went after him and Lita for this song.

In the early 80's, it was impossible for Lita Ford to get into the mainstream. In 1988, with groups like Bon Jovi, Europe, Poison, and Motley Crue having paved the way for hard rock/metal for mass acceptance, it was possible for Lita, and with results that outdid most male metal bands. Third time's the charm, with some deadly kissing metal.

Don't listen to the putzes who tell you Lita can't rock because she's female and sexy as hell. It's sexist bullsh*t. She IS a lady who is sexy as hell BUT she rocks too and this is a great CD with some killer cuts and a helluva lot of awesome blistering guitar. Lita f*cking rocks!!

This is one of my absolute favorite CDs for driving on the freeway in the summertime with the windows down and the music turned up LOUD. There isn't a bum track on the disc, so while I never have to use the 'skip' button, I frequently hit 'back' for an encore of "Shot of Poison," "Playin' with Fire," and "Little Too Early." Take it from a child of the '80s who loves this stuff.

I would place this as Lita's most overall enjoyable album, despite the fact that there are some bigger hits and very memorable songs on both Lita and Stiletto. This may be a bit slick for some tastes, but to me it is just an enjoyable listen from beginning to end. Shot of Poison seems to be every bit as good as Kiss Me Deadly. Bad Love is a good ballad. Virtually every song has good hooks. She plays her badgirl image for all it's worth. I find it every bit as good as the best albums by Poison, Bon Jovi,Crue,etc. And she's sexy. And she can play guitar just as well as the guys in those bands. If you like catchy pop metal, doubt you'll be dissapointed.

My recollection of Lita Ford derives from the time I saw her in concert at The Country Club in Reseda with My friend Rick at the time, and our dates. She wore a skin-tight silver lame' body suit with a plunging neck-line, a studded belt around her waist with a huge belt-buckle inscribed with the word "Bitch" thereupon - and after the show, she actually leaned down towards the front row invariably displaying lovely cleavage, and bearing a bottle of wine or champagne to share with her fans in the front row.

I recall her fling with Nikki Sixx of Motley Crue primarily, her previous band The Runaways, and of course, that unforgettable duet with Ozzy Osbourne "Close My Eyes Forever"; her music contained a couple of catchy tunes from time to time, but it really derived a more distinctive character with the addition of the keyboards. Then it tool on a more dangerously erotic appeal accentuating her femme fatale persona - "beautiful and deadly" as she fancies herself. This took place with her prime release "Kiss Me Deadly" {containing the afore-mentioned Ozzy duet}. "Dangerous Curves" also certainly carries that theme to the hilt with songs like "Shot of Poison", "Playin' With Fire", "Black Widow", and "Little Black Spider" would indicate. Dangerous Curves has its moments, but it definitely comes in second to "Kiss Me Deadly" in most respects. Of particular mention, I did enjoy "Hellbound Train" with witch-cackles and all.

She actually did initiate what perhaps may be described as "dance metal" {which would rally not be Metal in actuality, but more in the lines of "hard rock"}, and serves as a passionate encounter with a lover, or stripper music for erotic performers. There certainly is an energetic quality to her music that makes one want to move and gyrate, especially in the bed chamber "in a super-sized bed", as it were.

Or should that be scimitar? Where the diluted Stiletto, Lita Ford's followup to her breakthrough Lita album, only had a few songs to recommend it, such as "Lisa," Dangerous Curves shows Lita Ford back in top form, showing even more teeth than she did on Lita, teeth meaning her ferocious lead guitar and powerful vocals that belts out lyrics in songs like "What Do Ya Know About Love".

The chugging and hard-driving "Larger Than Life" with its visceral 80's drum and pulsing guitar attack demonstrates that she still teeth sharp enough to take on many male metal rockers. This is by far the heaviest song here. And if Cinderella and Britny Fox took heed, they would've come up with something like "What Do Ya Know About Love." Well, maybe not, as Lita's asking the question to the stereotypical macho type in snakeskin boots who's spreading himself all over town at the cost of little girls cryin' out loud.

The single "Shot Of Poison" isn't as hard-driving as "Kiss Me Deadly," with the same synths and guitar combination, only more radio-friendly. With Jim Vallance as co-songwriter and Heart's Howard Leese providing extra guitars, it was sure to make the Top 40.

"Bad Love" is a hauntingly stark and bitter ballad, with tempered keyboards and fiery guitar, even better than "Lisa." It's the end of the road with this song, with "I could never forgive you/and I damn sure won't forget/in heaven or hell every tear that I've cried/will come back to haunt you yet" being a pretty cold way to say "end of story." With the keyboards, I can picture Heart doing this on their 80's Ron Nevison albums.

"Playin' With Fire," also co-written by Jim Vallance, is another slamming tune, that could've been a single with the catchy chorus. "Little Too Early" is another singleworthy tune due to the lighter sound (at least compared to the other songs here).

The chugging rhythm section in the beginning does indeed mimic a train going down the tracks in the Bon Jovi-ish "Hellbound Train," with the wild as all-out protagonist's baggage being a devil in the brain, a fistful of whisky, a suitcase full of sin, and my favourite, "a thousand nasty habits underneath my skin."

"Black Widow," a throwback to harder-edged 80's metal, with the multiple backing vocalists in the chorus, is a chilling look at a seductive human equivalent of that deadly spider. Best lyrics: "Making love on a suicide bed/once you taste that poison darling, you're dead."

"Holy Man" begins with Lita and company singing the chorus a capella a la Bon Jovi's "You Give Love A Bad Name," but with a melody like Belinda Carlisle's "Heaven Is A Place On Earth." The similarities end there, and there's a reverse theme going on in the religious motifs. She demands to be lead into temptation, fair enough, but the analogy is completed when "You made the darkest night in my life into Judgment Day," which is a dark equivalent of "you made the brighest night in my life into heaven." She really catches fire for this one--pun intended.

"Tambourine Dream" is a mid-paced song, while the closing "Little Black Spider" is a short quiet electric guitar instrumental.

This album should have been another musical hallmark for Lita Ford, so why was it overshadowed? In looking at its release date, 1991, the answer comes in two words: grunge, Metallica.

Yes this sounds like what it is: a fun CD from a bygone era when Rock & Roll still rocked and everybody wasn't depressed in flannel shirts or into quasi-disco pop crap. Lita was tough, and sexy and could play the guitar and had humor and attitude and guts that Avril and Britney and that ilk can only dream about. God Bless You Lita and ROCK ON!!

This is one of my absolute favorite CDs for driving on the freeway in the summertime with the windows down and the music turned up LOUD. There isn't a bum track on the disc, so while I never have to use the 'skip' button, I frequently hit 'back' for an encore of "Shot of Poison," "Playin' with Fire," and "Little Too Early." Take it from a child of the '80s who loves this stuff.

Lita, Lita, Lita...
This is by far Lita Ford's best album. She may be best know for skimpy, tight costumes and singing duets with Ozzy Osbourne, but this album shows that Lita's all about heavy metal melodies.
From the high pitched squeal of the opening note and Lita's raucous request, "Can we turn it up a little louder please?" you know your in for a hard rock ride you'll never forget.
While her previous albums had one or two gems like "Kiss Me Deadly" or "Hellraiser", the songwriting and production were always a little weak.
Each song on this album is finely crafted, from lyrics to licks and everywhere in between.
I credit the intensity of songs like "Larger Than Life", "What Do You Know About Love" and "HellBound Train" to the talented group of backing vocalists that includes one, Jeff Scott Soto, the most underrated voice in Heavy Metal.
Lita herself is of course the driving force, as is evidenced by her sultry vocals on the tracks "Bad Love" and "Black Widow".
The album is rounded out by "Playing With Fire", "Holy Man", "Little Too Early" and "Tambourine Dream" just rock and roll, plain and simple.
Some have criticized the album for being too slick or commercial. In my opinion, Lita finally hit her stride with Dangerous Curves, definitely for the first, but hopefully not the last time.
If you've been a fan of any Lita Ford song, buy this album-it's Lita at her best.

Well who knows what's up in the world of Lita Ford. Until her triumphant return, we will have to settle for 'best of's' and 'lives'. I do wish she would dig a little deeper into the well and play some old 'Out for Blood' or 'Dancin on the Edge' tunes though. However this is a great live package with a decent studio track (Nobody's Child) and a cover of Sammy Hagar's 'Rock Candy'.

Lita still has the looks and the chops. I wish she would come back and revitalize her career. Their are plenty of fans left that would support her and countless new fans awaiting who have never even heard of her.

When i bought this i didn't realise it was the same thing as her "Lita Live" CD. Actually this is a better deal u get the same songs for less money. Anything by Lita is great anyways, highly recomended to anyone who doesn't already own "Lita Live".

This is her best work I think. More mature and blues influenced than her earlier music. Still hard rocking songs and great riffs. But without the Glam Metal style of her earlier music.

Lita Ford knew what she was doing in the 80s. She got away from the punk feel of the runaways and entered into her true love of metal/arena rock. After waiting a few years after dangerous curves, I was expecting something along those lines. I did not see this coming. Black has a huge influence on this album. I hate the whole grunge scene and to hear it from Lita is very upsetting. She has the skills as a musician to put out better material than this. Hopefully that day is soon. If you are a die hard fan of her like I am, you won't be too upset with this cd. The only tracks that are worth listening to are smokin toads and white lightning.

With heavier cuts and Blues Lita adds new licks to the mix and makes for a f***ing versatile CD that strikes like white hot lightning! No folks this aint just a retread of the 80's sound but this sexy, soulful and sonic disc is still red hot rock and roll from the Black Widow and Queen of Noise herself and in cotrast it makes the pop tarts we are stuck with today look more pale than usual 'cause LITA F***ING ROCKS!!

The grunge influence is more than I can bear. Also, the guitar approach is much more Fender than BC Rich...if you know what I mean. For perspective, I've been a fan since 1983 and have grown to love both the "club" rock of her first two CD's to the "arena" rock of her last three (ending with Dangerous Curves). Honestly, a re-creation of the over the top guitars and anthemic vocal approach so prevalent in the late 80's / early 90's would have been much more refreshing than this effort. Other reviewers have done a great job reviewing the individual songs...this review should act merely as an overview. Bottom line - "Black" is a perfect title for this disappointing CD.

"Loverman" and "Joe" are so impassioned, and "Where Will I Find My Heart Tonight" is so catchy, I would've thought this CD had 'big success' all over it. Alas, it's been hard to find these past few years, and most Lita Ford fans don't even know about it. She's in great spirits throughout, and although I like the softer stuff better than "Hammerhead", I find the entire CD a great rock-and-roll journey. Lita hasn't aged or dated a bit, she's as clever and cunning and luscious as she was in 1987. A-

Perhaps I can fill in the blanks that exist in the product description provided by Amazon.

As indicated, this is a live album. It was recorded in 2000? What Amazon doesn't mention is that this is a limited edition record with a run of 300. Each album cover is hand numbered. I use the term "album cover" loosely because it is really just 1 sheet of paper. It does come with a jacket but you'll still need something else to house the package.

Now onto the record. It is a heavy weight PINK MARBLE vinyl record. I'm guessing that it is 180 grams. Sound quality is excellent, the record is fun to listen to, and the songs seem to remain faithful.

Also included with this set is a small Lita Ford pin and a small black patch.