Mutya Buena

And i love it glad she decided to take a different turn on her solo debut. It is chocked filled with songs that could be big hits in the States or anywhere else around the world. She's still my girl regardless of all bs in the past. She's doing her thing on this record and the Babes are doing their thing on theirs as well...enough of that though.

Mutya is really soulful and comes out on the cd. Its been said before already but its the truth just check out songs like "B Boy Baby", "Suffer For Love", "Real Girll", "Wonderful" and "Breakdown Motel" ( i would love for her and Whitney to get together and do a Heartbreak Hotel Part 2 that would be on it. I love the cd as a whole and am looking out for whatever she does in the future. You rock Mutya keep on pressing whether its singing, acting or what have you got the drive to go very far.

Much love!!

Great, well-rounded CD. Mutya is very diverse with the sound of this CD. It's soulful (Suffer for Love) and dance pop (Song 4 Mutya) and a mix of in-betweens.

My Top 5:
Suffer For Love
Real Girl
B-Boy
Paperbag
Song 4 Mutya

The only lackluster song is This Is Not (Real Love) ft. George Michael. The vocals drag and whine all over the place. Boring song.

Let it be known: Mutya Buena has always been the soul and the attitude of Sugababes. Sure, the popular UK girl group is still carrying strong with entertaining tunes that hold well on their own, but you can't help but notice that the band is becoming far less "real" and more of a super slick, untouchable, manufactured pop product. Fortunately, the band itself has become a musical institution, instilling success to anyone who has had something to do with it (former Sugababe Siobhan Donaghy isn't doing too shabby with her solo effort either, with its ulta-sophisticated, atmospheric, ethereal pop direction).

Many critics have been too easy to jump to the fact that Mutya could have taken what she had learned from being with Sugababes and amped it up a step further. Ever since their formative debut album, you know this girl's always had a penchant for a good R&B-soaked tune, and that comes across rather gracefully in her own debut, "Real Girl." Not so say that she's lost her edge: all of the tracks feature her versatile weapon of choice (her husky, emotive voice) to full effect, showcasing a promising solo artist with an ear for tracks that also present her impressive range in performing music. Don't expect her to churn out retread Sugababes tracks though: she's made her stamp doing her own thing through pop tracks with some soul, R&B, hip-hop, and even a little electro in the mix. "Real Girl" may hint a bit of her roots, but this album is all Mutya in the present.

1. "Just A Little Bit" = Soulful first number that signals what direction Mutya wanted to take with most of the album. Not too dissimilar from the recent retro-pop sounds of those like Amy Winehouse, this is an uplifting soul-pop number that's a declaration of who she is and what she will likely become as a solo act (ergo "great").

2. "Real Girl" = Infectious first single and a quite appropriate one at that. It's straight-forwardness is a great way to kick off the vibe of the album. Sure, it may not be groundbreaking, but the funky beats mixed with some sampling and an old-skool R&B vibe, all put under a greatly-executed pop sheen makes songs like this hard to resist.

3. "Song For Mutya (Out Of Control)" = Every single professional review I've come across heralds this track as the album's standout, and it is deservedly so. Maybe because it's the only straight-up electro-pop tune, maybe it's the track most reminiscent of Sugababes edgy dance-pop gems, or maybe it's because it's so deliriously fresh (despite heavy '80s dance influences). A great track that reminds people that an awesome collaboration (with producers Groove Armada) and an awesome performance from an solid singer can make magic happen.

4. "Breakdown Motel" = Slowing things out a bit, this somber, but emotional track pulls on the heartstrings of its listeners. If anything, Mutya's got some personality to carry sentimental tracks that would have crumbled had anyone with less character sang it. It only comes to show that Mutya not only owns every single track in the album, but does it with complete dignity and finesse (a bonus).

5. "Strung Out" = One of, if not, the album's most dramatic track. Half Sugababes ballad (a la "Stronger," "Caught In A Moment," and "Follow Me Home) and half rocker track (like a poppier Evanescence at best), the fact that two different sounds are seamlessly synthesized once the song unfolds only shows that Mutya's got more tricks up her sleeve. Oh, and her urgent vocals kinda help the track shine even more too, if you consider that...

6. "It's Not Easy" = Very much like stuff from Sugababes' "One Touch," the chorus of the track is one of those hard-to-pull off subtle beauties that dig deep within your skin. Moody and atmospheric, this med-tempo track's strongest facet are its tight, but effortless melodies and harmonies.

7. "Suffer For Love" = For Mutya and her incredible, if not underappreciated (and underestimated) voice, you know it was inevitable: a big soul ballad. People who don't really like R&B would knock this off quite easily, but if you're a fan of a good ol' fashioned slow jam, this thing sizzles. Again, a yearning vocal from Mutya only further justifies the fact that she's one of the best singers in our generation today.

8. "Not Your Baby" = A catchy little ditty, reminiscent of the recent ska-pop stylings of acts like All Saints and Lily Allen, it's even got some quirky Girls Aloud pop in there somewhere. Reminds like an old gameshow tune turned into a deliriously catchy dance-pop track. Pure quality without signs of Mutya breaking a sweat.

9. "Wonderful" = Another ballad, but this time it's more of a direct pop ballad instead of an R&B-drenched one (like "Suffer For Love"). Proving that there is room for another Mariah, it's familiar and welcome melodies are sweet and quite dazzling at times (if you put down your guard and disregard the fact that a track like this is surprisingly saccharine for Mutya's more edgy persona - the girl just wants to be loved).

10. "B Boy Baby" = A fun, stomping, soulful take on a Ronettes classic, it's probably the strongest of the retro-soul vibes in the album. Of course, having Amy Winehouse back you up in this one can also help a bit. It's playful and unpretentious in all its glory. Another definite standout.

11. "This Is Not Real Love" = Not exactly keen on this one, but it's grown on me. Okay, so it's a cheesy George Michael collabo, but the fact that they tweaked the track a bit to fit the sound of Mutya's album kinda helps. At best, it shows Mutya at her sultriest, yet unconvering a new facet of her amazing voice. It's a perfect late night, smouldering tune, really.

12. "Paper Bag" = A reggae-lite, R&B track, it's pure quality as one would expect from Mutya (if her previous track weren't convincing enough to make another a believer, I dunno what would at this point). More chilled, but it's still got a killer backing to it that makes it loud and clear.

13. "My Song" = The last track in the album. Doesn't end it with a bang, but it does end it with an emotional message of redemption. Not too deep, but it's just a nice, relaxed way to end a really entertaining album.

"Real Girl" is not necessarily an immediate summer album. I mean it's devoid of club bangers or even more uptempo material that Mutya's done with the 'Babes, but it does show a promising artist that's an all-around great album act and a solid performer. "Real Girl" may not be explosive in the context that every track has to be a super hot uptempo jam, but it does provide as a great alternative: a relaxing, soulful, fun way to enjoy getting cool from the hot weather. In all the album's overall greatness, even though Mutya stretches herself to become a surprisingly versatile perfomer (one that was never quite showcased with Sugababes and one that was never expect of her...until now), she's still got that trademark effortlessness that shows how cool she is. Not compromising anything about her character as an artist, but always pleasing her listeners with pop tunes that hold their own ground just as much as any she's done with her old band, this album is a must have for anyone who likes their pop with equal parts quality, class, edge, and grace.

With a mix of R&B, as well as the quirky sass of her Sugababes alumnus, Mutya Buena's debut "Real girl" is a pop delight. Her soulful, and distinctive voice is well suited to the diverse material at hand.

The upbeat "It's not easy" (with lyrics about being a young mother) wouldn't sound out of place on a Sugababes CD, nor would the buzzing electro-pop "Song 4 Mutya (Outa control)", the latter a collaboration with dance act Groove Armada, and set to be the second single.

Lead off single is the breezy, midtempo cathartic "Real girl" built around Lenny Kravitz's "It aint over till it's over". Currently a UK #2 hit.

"Strung out" (about dealing with a partner's drug addiction) starts out as a piano ballad with a thumping beat introduced by the second verse, building to a whirling climax. Lovely!

The horn sprinkled "B boy baby" is a retro 60s sounding fun song with hip hop beats, and harmonies from Amy Winehouse. It is a reworking of "Be my baby" by the Ronettes.

Then there are the ballads, soulful and lovely. "Suffer for love" sounds like something out of Alicia Keys songbook, while the haunting Spanish guitar tinged "This is not (real love)" features George Michael (in a slightly different version than what obtains on his last greatest hits). Mutya's in good company here as prior to her, the only other females George sang with are Aretha ("I knew you were waiting for me"), Jody Watley ("Learn to say no"), Mary J Blige ("As"), and Whitney ("If I told you that").

"Just a little bit" is a retro sounding ballad with great harmonies, "Breakdown motel" is a midtempo groovy song with hip hop beats, while "My song" (with a passionate vocal delivery) reaches out to those who have hit the lowest points of despair.

An impressive debut from the voice of the Sugababes.

Not sure about the song your talking about. But i just got the single and The primary 1 remix "Real girls in another world" is seriously fantastic! Pure ear pleasure, I LOVE IT!

- Robert

Amazing voice from the original lineup of 3some British girl group, the Sugababes. This album is exciting and the sound is so fresh. This lil' Filipino/English diva is definitely a class act!!! The stand out tracks are the first single and Brit award nominated " Real Girl ", which samples Mr.Kravitz, "It aint over till it's over", and "B-Boy Baby" with Amy Winehouse on backing vocals, and is a fresh take on The Ronettes, "Be my baby". I hope America will embrace this talent, because she is definitely worth taking a listen to. You go girl!!!! Here's to a very talented fellow Filipino!!!

If anyone has seen the Sugababes live, you will understand how aloof they can appear. It is almost as if they are going through the motions just to pay the rent. If anyone suffered from that on record also, it is ex-babe, Mutya. But, away from the band on her debut solo album, she certainly sounds more committed.
Her smoky voice suits the mix of soul, r'n'b and pop, including hit single, 'Real Girl'. There is an over-reliance on a Lenny Kravitz sample here though, which does nothing to separate her from the band she left.
"Song 4 Mutya (Out Of Control)" is a Groove Armada collaboration and it is undoubtedly the strongest track, and it makes you want to dance as it does feel real.
The George Michael duet, "This Is Not (Real Love") shows off Buena's strong vocal range but as a song, it goes nowhere and feels like a whinge fest.
Put it this way, if you got a dinner invite from both of them, you would say no!
The Babe of the moment, Amy Winehouse appears on "B Boy Baby" and lends it the street cred needed to wipe away the cuteness/sheen.
Mutya can consider herself proud as she has the lungs to keep you away from pushing the stop button. But the material is trying to please too many people.
It's a bit urban, a bit poppy and a bit soulful. This means though, it lacks the heart that Winehouse herself delivers on Back to Black.
It is a good first effort though as it's likely to give the babes a hole in the head for a few months, when potential hit singles get airplay.

And i love it glad she decided to take a different turn on her solo debut. It is chocked filled with songs that could be big hits in the States or anywhere else around the world. She's still my girl regardless of all bs in the past. She's doing her thing on this record and the Babes are doing their thing on theirs as well...enough of that though.

Mutya is really soulful and comes out on the cd. Its been said before already but its the truth just check out songs like "B Boy Baby", "Suffer For Love", "Real Girll", "Wonderful" and "Breakdown Motel" ( i would love for her and Whitney to get together and do a Heartbreak Hotel Part 2 that would be on it. I love the cd as a whole and am looking out for whatever she does in the future. You rock Mutya keep on pressing whether its singing, acting or what have you got the drive to go very far.

Much love!!

Great, well-rounded CD. Mutya is very diverse with the sound of this CD. It's soulful (Suffer for Love) and dance pop (Song 4 Mutya) and a mix of in-betweens.

My Top 5:
Suffer For Love
Real Girl
B-Boy
Paperbag
Song 4 Mutya

The only lackluster song is This Is Not (Real Love) ft. George Michael. The vocals drag and whine all over the place. Boring song.

Let it be known: Mutya Buena has always been the soul and the attitude of Sugababes. Sure, the popular UK girl group is still carrying strong with entertaining tunes that hold well on their own, but you can't help but notice that the band is becoming far less "real" and more of a super slick, untouchable, manufactured pop product. Fortunately, the band itself has become a musical institution, instilling success to anyone who has had something to do with it (former Sugababe Siobhan Donaghy isn't doing too shabby with her solo effort either, with its ulta-sophisticated, atmospheric, ethereal pop direction).

Many critics have been too easy to jump to the fact that Mutya could have taken what she had learned from being with Sugababes and amped it up a step further. Ever since their formative debut album, you know this girl's always had a penchant for a good R&B-soaked tune, and that comes across rather gracefully in her own debut, "Real Girl." Not so say that she's lost her edge: all of the tracks feature her versatile weapon of choice (her husky, emotive voice) to full effect, showcasing a promising solo artist with an ear for tracks that also present her impressive range in performing music. Don't expect her to churn out retread Sugababes tracks though: she's made her stamp doing her own thing through pop tracks with some soul, R&B, hip-hop, and even a little electro in the mix. "Real Girl" may hint a bit of her roots, but this album is all Mutya in the present.

1. "Just A Little Bit" = Soulful first number that signals what direction Mutya wanted to take with most of the album. Not too dissimilar from the recent retro-pop sounds of those like Amy Winehouse, this is an uplifting soul-pop number that's a declaration of who she is and what she will likely become as a solo act (ergo "great").

2. "Real Girl" = Infectious first single and a quite appropriate one at that. It's straight-forwardness is a great way to kick off the vibe of the album. Sure, it may not be groundbreaking, but the funky beats mixed with some sampling and an old-skool R&B vibe, all put under a greatly-executed pop sheen makes songs like this hard to resist.

3. "Song For Mutya (Out Of Control)" = Every single professional review I've come across heralds this track as the album's standout, and it is deservedly so. Maybe because it's the only straight-up electro-pop tune, maybe it's the track most reminiscent of Sugababes edgy dance-pop gems, or maybe it's because it's so deliriously fresh (despite heavy '80s dance influences). A great track that reminds people that an awesome collaboration (with producers Groove Armada) and an awesome performance from an solid singer can make magic happen.

4. "Breakdown Motel" = Slowing things out a bit, this somber, but emotional track pulls on the heartstrings of its listeners. If anything, Mutya's got some personality to carry sentimental tracks that would have crumbled had anyone with less character sang it. It only comes to show that Mutya not only owns every single track in the album, but does it with complete dignity and finesse (a bonus).

5. "Strung Out" = One of, if not, the album's most dramatic track. Half Sugababes ballad (a la "Stronger," "Caught In A Moment," and "Follow Me Home) and half rocker track (like a poppier Evanescence at best), the fact that two different sounds are seamlessly synthesized once the song unfolds only shows that Mutya's got more tricks up her sleeve. Oh, and her urgent vocals kinda help the track shine even more too, if you consider that...

6. "It's Not Easy" = Very much like stuff from Sugababes' "One Touch," the chorus of the track is one of those hard-to-pull off subtle beauties that dig deep within your skin. Moody and atmospheric, this med-tempo track's strongest facet are its tight, but effortless melodies and harmonies.

7. "Suffer For Love" = For Mutya and her incredible, if not underappreciated (and underestimated) voice, you know it was inevitable: a big soul ballad. People who don't really like R&B would knock this off quite easily, but if you're a fan of a good ol' fashioned slow jam, this thing sizzles. Again, a yearning vocal from Mutya only further justifies the fact that she's one of the best singers in our generation today.

8. "Not Your Baby" = A catchy little ditty, reminiscent of the recent ska-pop stylings of acts like All Saints and Lily Allen, it's even got some quirky Girls Aloud pop in there somewhere. Reminds like an old gameshow tune turned into a deliriously catchy dance-pop track. Pure quality without signs of Mutya breaking a sweat.

9. "Wonderful" = Another ballad, but this time it's more of a direct pop ballad instead of an R&B-drenched one (like "Suffer For Love"). Proving that there is room for another Mariah, it's familiar and welcome melodies are sweet and quite dazzling at times (if you put down your guard and disregard the fact that a track like this is surprisingly saccharine for Mutya's more edgy persona - the girl just wants to be loved).

10. "B Boy Baby" = A fun, stomping, soulful take on a Ronettes classic, it's probably the strongest of the retro-soul vibes in the album. Of course, having Amy Winehouse back you up in this one can also help a bit. It's playful and unpretentious in all its glory. Another definite standout.

11. "This Is Not Real Love" = Not exactly keen on this one, but it's grown on me. Okay, so it's a cheesy George Michael collabo, but the fact that they tweaked the track a bit to fit the sound of Mutya's album kinda helps. At best, it shows Mutya at her sultriest, yet unconvering a new facet of her amazing voice. It's a perfect late night, smouldering tune, really.

12. "Paper Bag" = A reggae-lite, R&B track, it's pure quality as one would expect from Mutya (if her previous track weren't convincing enough to make another a believer, I dunno what would at this point). More chilled, but it's still got a killer backing to it that makes it loud and clear.

13. "My Song" = The last track in the album. Doesn't end it with a bang, but it does end it with an emotional message of redemption. Not too deep, but it's just a nice, relaxed way to end a really entertaining album.

"Real Girl" is not necessarily an immediate summer album. I mean it's devoid of club bangers or even more uptempo material that Mutya's done with the 'Babes, but it does show a promising artist that's an all-around great album act and a solid performer. "Real Girl" may not be explosive in the context that every track has to be a super hot uptempo jam, but it does provide as a great alternative: a relaxing, soulful, fun way to enjoy getting cool from the hot weather. In all the album's overall greatness, even though Mutya stretches herself to become a surprisingly versatile perfomer (one that was never quite showcased with Sugababes and one that was never expect of her...until now), she's still got that trademark effortlessness that shows how cool she is. Not compromising anything about her character as an artist, but always pleasing her listeners with pop tunes that hold their own ground just as much as any she's done with her old band, this album is a must have for anyone who likes their pop with equal parts quality, class, edge, and grace.

With a mix of R&B, as well as the quirky sass of her Sugababes alumnus, Mutya Buena's debut "Real girl" is a pop delight. Her soulful, and distinctive voice is well suited to the diverse material at hand.

The upbeat "It's not easy" (with lyrics about being a young mother) wouldn't sound out of place on a Sugababes CD, nor would the buzzing electro-pop "Song 4 Mutya (Outa control)", the latter a collaboration with dance act Groove Armada, and set to be the second single.

Lead off single is the breezy, midtempo cathartic "Real girl" built around Lenny Kravitz's "It aint over till it's over". Currently a UK #2 hit.

"Strung out" (about dealing with a partner's drug addiction) starts out as a piano ballad with a thumping beat introduced by the second verse, building to a whirling climax. Lovely!

The horn sprinkled "B boy baby" is a retro 60s sounding fun song with hip hop beats, and harmonies from Amy Winehouse. It is a reworking of "Be my baby" by the Ronettes.

Then there are the ballads, soulful and lovely. "Suffer for love" sounds like something out of Alicia Keys songbook, while the haunting Spanish guitar tinged "This is not (real love)" features George Michael (in a slightly different version than what obtains on his last greatest hits). Mutya's in good company here as prior to her, the only other females George sang with are Aretha ("I knew you were waiting for me"), Jody Watley ("Learn to say no"), Mary J Blige ("As"), and Whitney ("If I told you that").

"Just a little bit" is a retro sounding ballad with great harmonies, "Breakdown motel" is a midtempo groovy song with hip hop beats, while "My song" (with a passionate vocal delivery) reaches out to those who have hit the lowest points of despair.

An impressive debut from the voice of the Sugababes.

I knew instantly when I listened to "B Boy Baby" for the first time after I got the "Real Girl" album last year that it would be my favourite song. And how could it not be? It is a clever, modern re-working of the classic "Be My Baby," originally performed by The Ronettes, and it features Amy Winehouse.

Amy Winehouse's vocals in the chorus give the song a 1960's girl-group feel, and the verses about a basketball playing beau bring the story into the present day. It's such an awesome combination, plus, Mutya sounds like she's having a good time singing the song.

The B-side is a cover of Tracy Chapman's 1988 Grammy winning song "Fast Car." Mutya recorded Fast Car for a BBC compilation album entitled "Radio 1, Established 1967" on which many artists popular in the UK cover tracks that were significant hits on the BBC's Radio 1.

Mutya's version of "Fast Car" is pretty straight-forward. Her husky vocals suit the simple keyboards used as the backing track. I haven't heard Tracy Chapman's original in years, but Mutya's version doesn't stray too far from the sentiments of the original song.

The UK pressing of the single also includes the video for "B Boy Baby" in an enhanced section. In the video we see Mutya walking around, while a group of basketball players do their thing on the court in a nearby park.

A nice album with some strong tracks and not so strong tracks. Enjoyable, but not one that you can fall in a groove with from start to finish.

Okay, I know very little about Mutya Buena as I'm American and so I never heard of the Sugarbabes(the group she started out with) or Mutya for that matter. But Perez Hilton gave her a shoutout one day, and I checked out some of her music on youtube(since I couldn't find her on itunes over here). She's got a great voice for 22, very clear and soulful, and her music, especially this song has a great retro feel to it. If you are interested in hearing some of her songs, you can type in her name on myspace and find most of them in their entirety. I haven't bought the CD yet(35.00 is a bit steep), but I just ordered this EP cause this song is great.