Silk

I just love him... I love his music..
Just a fact that CD case was all broken, it's all good as long as I can hear his music.

My nephew mentioned his desire to hear some classical music (Yo-Yo Ma, especially) on the boring trips back & forth from college. He really seemed to enjoy receiving the CD for Christmas!

The ratings on this 2 CD set are inflated. The first CD is enjoyable, but no more than an assembly of tracks from other Yo-Yo Ma albums. The second disc is uninteresting. I think there are much more enjoyable Yo-Yo Ma albums to invest in than this one.

This is one of the best CD's for Cello that I have heard.
Yo-Yo Ma is such an artist.

Love It!

Great for studying, however if listening in your car the sound can be a bit repetitive.

This CD is anyone who longs to travel to far away, exotic places but cannot afford to get there in "real time". I was, and am so impressed with this CD from the moment I heard it on WQXR one beautiful spring morning, I knew "I had to own it" and I have not regretted listening to it over and over again. If you want to enter the heart of the mysterious, exotic world of Middle and Far East; if you want to envelope yourself in music so sacred, so beautiful that your soul will ache for more, than this is the CD for you...Yo-Yo Ma and the Silk Road Ensemble are magical, they are Djinn....

As a classical album, it is different and quite original. It literally takes you to another place. Maybe because of my origins, I find the album close to me. The songs from Asia, the use of authentic instruments for these well-known songs in their regions are what makes the album beautiful. You really feel like journeying along the silk road, and stopping at locations along the path, and being presented these beautifully orchestrated songs.

Regarding my favourites, even though I can honestly say that I enjoyed all these songs very much, I can give the names of the two, Shikasta and Night at Caravanserai.

this collection of music is quite a cultural experience. I've been hooked since I opened the cover!

I enjoyed this compilation of Silk Road music very much. It delivers a nice, diverse sample of music from the region. My favorite track of the CD is Shikasta, but I like the others as well.

Yo-Yo Ma went beyond indeed. The first CD with Silk Road ensemble (When Strangers Meet) was inconsistent and somewhat experimental. This one however, is superb. As if in the 5 years the musicians got to know each other (but in truth, only a few musicians are the same). 23 traditional Eastern instruments are listed plus a number of western strings and other percussion was used. So the music on this CD gets my full attention, and as the title of first track suggests, you (can) get enchanted.
The tracks are ordered into three parts: Enchantments (1-5), Origins (6-9) and New Beginnings. First track is strangely familiar (like it was used in some film, but there is no mention of this). In third track this theme gets Chinese interpretation. The style from one track to the other changes, so you can't get bored or overexcited. Second is simply very nice, the fourth great intro of Armenian wind instrument duduk (played by famous Gevorg Dabaghyan), accompanied by percussion mostly, albeit the piece is short. 5 is gentle with cello and xun (Chinese ocarina), 6 orchestral from slow to cool, 7 again gentle with cello and vocal, 8 starts with yearning duduk and turns into orchestral battle, 9 cello and percussion. Track 10 is the only one with prominent vocal (love song) and introduces us to the last part of CD, which are more like jam sessions of all instruments. 11 and 13 are very lively. The last one, track 15, brings us a new interpretation of very ancient Chinese melody played on pipa.

Some would probably say this CD is commercialized. Personally I don't see any wrongdoings in this as long the music stays a high quality one. For the more authentic Silk Road one can always buy The Silk Road: A Musical Caravan.

THIS IS A LITTLE KNOWN ARTIST IN MY CIRCLE. BUT I HAVE TWO OF HIS CD'S AND THEY ARE WELL ORCHESTRATED. IN A FEWS WORDS, THIS ARTIST IS OFF THE HOOK.

Oli's second album and the follow-up to his critillay acclaimed 2007 "So Many Ways" finds the talented Britain born young keyboard player at his best.
His music is a diverse mix of many musical influences derived from personal relationships and inspirations, from both the side of the Arlantic, he has been experienced over the years.
If you are into quality Smooth Jazz then cuts like the Jeff Lorber's nice track "Seventh Heaven" and 'The Limit's The Sky' fit the bill.
You may enjoy "S.O.S.O.S" with its infectious rhythm guitar or the gorgeous riff laden "Lime Cordial Soup".
Add a dose of Soul on the gentle floater "That Kinda Love" featuring Donnell Spencer Jr on vocals.
The renowned saxman Jaared adds his soulful playing on several tracks.
He is supported by a band that's cool and tight: Dwayne 'Smitty' Smith (Bass), Donnell Spencer Jr. (Drums), Nigel Williams (Guitar), Rodney Lee (Keys).This consistent album will appeal to those who enjoy something new in Contemporary Jazz and grooveheads and jazz connoisseurs
Give this enjoyable album a spin,you will not regret.

So Many Ways

Id pass on his lateast cd because its not as good as his 07 release.

Since returning from a trip to China, I have become very interested in the music and the entire culture and history of the Far East. To an American, it seems like such an exotic and mysterious world. Given the formidable languages and the vastness of it all, I can only say that I can only hope to acquire a superficial understanding.

As always, the versatile Yo-Yo Ma is quite soulful and technically brilliant in his musical exploration of the "Silk Road". The music, to me, captures the feeling of Asia. The liner notes are very educational in providing a context to the project.

I find Asian music to be very different from our "Western" traditions, but given time and an even chance, I think that you will find this CD to be very nice and enjoyable.

I was going to give it 2 stars, but then again i only listened to it once.
I was looking forward to this, but the music is plodding in many parts,
like a dreary symphony. There are fine moments, but I was looking for something a bit more accesible, rhymic, and lyrical. This is a mixed bag that seems to miss more often than hit.

I have just added this to my musical library and am enjoying it. From the first beat of the first note of Khongozurl's long song you are transported to central Asia - the land of horses and gers. Of all the pieces I was most interested in listening to the second piece - Legend of Herlen. This to me, was the real silk road. The morin khuur has a very rich and unusual tone that made we want to listen to the it over and over again. Each piece is different and reminds one of the many parts that make up the whole of central asia's culture be it music or diesel trucks competing for road space with camels. The music captures the variety that makes up the region. The Finnish Folksong tracks are a nice touch. I have a friend who was at a trade conference and met a man from Mongolia. Neither could talk to one another until they discovered a common language - Finnish! My friend's family is Finnish and his new Mongolian friend had lived for several years in Finland where he learned enough of the language to communicate. Listening to the Finnish Folksongs reminds me of the Finnish-Mongolian connection that my friend had described. It is a nice touch and complements the other pieces very well. Please don't neglect to read the information insert as this gives a wealth of information on the music and it's origins as well as some of the difficulties experienced by western players playing traditional middle Asian musical instruments. Ma's difficulties with his instrument are particularly interesing to read. The concludig track - Desert Capriccio is a very nice ending to a very rich musical experince. The music from Crouching Tiger, Hidden Dragon is the perfect ending to this trip through central Asia. I highly recommend this CD to everyone.

I saw a performance of the Silk Road Ensemble and was absolutely enthralled. So I bought the CD. But it was a big disappointment. It's not the type of music you can comfortably listen to in your living room - I'm sure it would be much more enjoyable in a concert hall. There was far too much that just sounded like "screeching" to me. However, some of the pieces that were much like what we heard at the performance were beautiful. So - a mixed review, but I disliked more than I liked.

In this review I will give my opinion on each of the 12 selections in this CD, and will also talk about some general themes related to the title "The Silk Road Project".

To anyone who has heard of the Silk Road in Ancient China, the title of this CD immediately brings up images of exotic peoples and their cultures in your mind. I think Yo-Yo Ma's efforts in creating such a culturally diversified recording are definitely welcomed in this era of globalization.

But after listening through this CD I felt that something was missing from the selections. One of the most important areas on the Silk Road is the Uyghur region in northwestern China. Their music is quite unique. Inclusion of their music in this CD would be really interesting. Also in this CD not all of the selections are chosen from those regions directly related to the Silk Road. So I guess the title is just a metaphor of "when strangers meet", but is not directly about the cultures along the Silk Road.

Now I will review each of the selections.

1. Mongolian Traditional Long Song

I am somewhat familiar with their culture and land. So to me this song is very beautiful and enchanting. One of the most important factors in conducting any cross-cultural communications is context! You really cannot take it out of context. The Mongolian Long Song might sound monotonous and drawling to a person who is more used to the Western tradition of chant, choral, or opera music. Yet if you know the traditional nomadic lifestyle of the Mongolian people on the vast rolling greens of the Mongolian grassland embellished with winding creeks and rivers, you would probably hear such long-singing voices reverberating between the green of the grass and the blue of the sky. The Mongolian people have some of the most beautiful songs that I know of.

2. Legend of Herlen

There are probably two broad categories of non-western ethnic musics. One is the authentic folksong tradition of the people, the other is westernized works composed by westernized local musicians. I guess Legend of Herlen might fall into the second category. It has some interesting tunes in it. But the overall listening experience is too dramatic. I guess the dynamics used in this piece might even go beyond the ppp and fff. In the Mongolian traditional music, dynamics are sometimes used quite dramatically, with sharp difference between two adjacent notes or phrases. So this piece here is probably not very surprising. Nonetheless I find it a little too dramatic, sometimes even disturbing. Again I am not familiar with the background of this piece, so that might explain the unusual drama.

3. Blue Little Flower

I am not sure what fusion should really sound like. But in this piece it does seem to me that a lot of musical traditions are intertwined in it: western music, Chinese folksong from Shaanxi, and probably Iranian or Indian drums. Somehow the only part of this song that I liked is the beginning line. It's very beautiful and delicate, reminding me of the theme music from the Couching Tiger, Hidden Dragon. But it is westernized, not authentic Chinese folksong. If this is still not a problem, then the drum used in this piece does cause a lot of funny effects. The drum sounds so distinctive and it represents some of the central or western Asia cultures. The images such drum beats conjure up are very incompatible with this northwestern Chinese folksong. So in this piece there are at least three threads: western, Chinese, and Iranian/Indian (I am not sure which one). But they do not converge. There is also the funny part of the singing included in this piece. It is out of place and unnecessary. The singing itself is just too frivolous to me.

4. Mido Mountain

I like this piece, especially the part played by the Sheng. Again there are some elements that sound a little bit too foreign to me, especially the percussion part. They use the same percussion/drum in this piece as in the previous one. But the overall effect of the arrangement does sound authentic and pleasant to me.

5. Moon Over Guan Mountains

If you know that Zhao Jiping is famous for his scores for films, you will probably understand this piece better. But of course understanding does not mean you will like it. This piece falls into the second category that I described above. For a lot of non-Western countries, the influence of western music is definitely immense. Many local composers are trained in both the western tradition and the local tradition. But there is probably a general feeling among composers in these countries that western music is richer in theory and methods. Many of these composers will use themes from folk songs to compose westernized music. I will give this piece a B+. It does include some themes from northwestern China, which sound really unique. As I said in this CD there is no selection from the Uyghur region in China, this piece might make up for that, since some of the themes seem to me to be from that region. But this piece is still too dramatic too, like a film score.

6. Five Finnish Folksongs No. 3

I love this one! The theme melody is so beautiful, and maybe a little bit nostalgic, and maybe a little bit romantic also? But this piece is straightly western music. There is nothing ethnic about it.

7. Five Finnish Folksongs No.5

This one is ok, but not very impressive. The overall structure of this piece sounds like very loose. There is not memorable melody either. But it does not have the maddening drama like in the two pieces I have just talked about. This is good.

8. Avaz-e Dashti
I am not familiar with Persian music. But there are indeed some very Persian melodies in this piece. The instruments used in this piece are all traditional Persian instruments. Maybe this is why it sounds so authentic to me. I like the haunting, floating tunes in this piece. They sound very ethereal to me.

9. Habil-Sayagy

Again this piece falls into the second category like the Legend of Herlen and Moon Over Guan Mountains. Such music is probably interesting to the performers, since they can let loose their inner floodgate of emotions and resort to pure artistic connections. But the problem for such music is that they are just too dramatic, and it's really hard to understand them without fairly good knowledge of the context and their unique cultural backgrounds. I am sure all these three pieces might sound profound, meaningful, and artistic once we know the cultural backgrounds better. But for the general listener, they are too abstract and too emotionally charged. Another problem for such western-traditional combination pure art form of music is that tradition might be distorted and represented in the wrong way.

10. Blue as the Turquoise Night of Neyshabur

I like this one better that the previous one, especially the middle part beginning at around 5 min 30 sec into the music. The melody is quite unique, and memorable. The bassline is very interesting too. It conjures up the image of merchants traveling on camel back through the desert. The pulse of the bass sounds like the steps of camels walking. One the instruments used, I am not sure which one, santur or kemancheh, is quite successful in bringing out the authenticity of the music style.

11. Chi passa per'sta strada

This one has the same problem as the Blue Little Flower: it does not sound like anything! It is not Italian, nor is it Iranian, nor Chinese, nor anything else. What is it? Who knows. The ethnicity of world music is tied to their unique musical instruments closely. I remember there was one year the Chinese traditional orchestra had a New Year's Concert at Vienna, and when they played the Radetzky March at the end of the concert, I was quite unimpressed.

12. Desert Capriccio

Tan Dun is similar to the composers I mentioned above like Zhao Jiping. Tan's music is unique and interesting to both western and Chinese audience, because of the same thing: they are both unfamiliar with Tan's music. To the Chinese audience, his music sounds western, but to the Western audience, his music sounds exotic. Nonetheless I still like some of this music, like the Couching Tiger and Hidden Dragon. Some of the melodies are really great. Again this piece makes up for the lack of Uyghur music in this album, since the "desert" in this piece is in the Uyghur region. But the music is not Uyghur at all.

There you have it. That's all for my detailed review of this CD. I would give it a B+ for its efforts and some of the really good tunes. As I am not an expert, I might be wrong in many of the points that I make in this review. So feel free to comment on my review.

As you might note from my other reviews, I find the work and range of Yo Yo Ma to be quite stimulating and wonderful to hear. I often take chances and buy his work without previewing it based on past happy purchases. I fell in love with the first album in the Silk Road series since it was full of bright new and interesting melodies and performances. It is surely a work of great interest. However, I found this album to be less bright and without the stimulating variety of the first work. The second was just alright and I find this one to be just dull. Maybe, it was my mood but that is my first reaction. I have seen the first two concerts that supported the first two albums and loved the music live and on disk. It is not that the idea has grown cold or old but the music does not have the vibrance of the first two works. I would go to listen to them first.

Almost every selection sounds the same and they are all rather monotonous.I had heard only an excerpt of one song on Public Radio, and it sounded great.

The label said, "It will rock your world." They weren't lying. I have joyously followed the Silk Road Journeys and this CD is a welcome addition. I honestly do not have the chops to give a meaningful review of classical music except to say that I thoroughly enjoy this recording.

I heard the horses track played on public radio and had to have this CD. I really like it. I also love being able to buy music from amazon at a good price!

This compilation of new (to me) sounds was enchanting and well worth leisure listening. I wasn't quite expecting the unusual instruments to provide the level of musicality and transition they did. This album is a joy and credit to the innovation and vision of the composers, arrangers and musicians who created this beautiful presentation of New Impossibilities.
Linda Petersen

this disc was a great debut for this group. I love the song I Gave To You

This five man team founded by triple threat producer, artist and writer Keith Sweat, Silk's debut Lose Control would sure to incorporate Sweat's formula with a touch of harmony. Eight of the ten songs were written and or co-written by Keith Sweat and he held down the project's production either single handedly or with some help. "Interlude" is a great opener for this LP with the simple phrase "...baby, don't stop..." that welcomes the listener to the ride. With the overly used James Brown "The Payback" may sound as if it would not be a good idea, but used on "Happy Days" had the bounce, swing and groove for repeats. Featuring Gerald and Sean Levert on "Don't Keep Me Waiting" is overall simple in the production scheme aspect. The gem is hidden with the various vocalists' textures and tones that make this hard to overlook. Slowing down on "Girl U For Me" even has Keith Sweat aiding to benefit on the ad-libs and background vocals for the mood setting. Taking the extreme sexual connotations to drive "Freak Me" will not have you saying stop. "Baby It's You" has a mid-tempo flavor that has the elements of crowd movers that could get them going. Silk's talents become apparent in the last lap where first comes the title track. With the delayed drum kick and mostly keyboard / piano laced track was subtle yet strong enough to tailor to the again multi-vocal ranges. Keeping the fire going, "It Had To Be You" isn't as memorable as the title track but can still hold its own with the colorful harmony. "I Gave To You" says all that you may be thinking and feeling while involving yourself with anyone without any compromises. In short, play Lose Control and watch what could happen!

Silk had an indescribable knack for creating baby making jams. They just did it better than most people coming out at the time and that made them stand out. The title track Lose Control epitomizes this group. Slow, sensual, and romantic type music. They had other hits (Freak Me and It Hat To Be You) and albums but this is the main release that you will need from them as it is their best and contains their best songs. Great 90's R&B!

Looking back at all the CD's that came out in the early 90's, I'd say Silk's "Lose Control" is one of the few that has stood the test of time. The whole CD is worth listening to. Silk is not like H-Town or Jodeci, where you buy the CD for the singles and ignore the rest of the CD, which is essentially filler. Also, Silk's style is true to their name: their soul is smooth, not whiny, like the direction a lot of New Jack groups took.

My personal favorites are "Happy Days", "Girl U for Me", "Freak Me", which is sensual without being tasteless, and "Lose Control".

this is a heavy, heavy album. I first heard this album when I was 13 and the tunes still sound as sweet as ever. I can't belive i found a place to buy it again thank u.

To me this is the best silk album!! its not 1 of those albums where u just like 1 or 2 of the songs and the rest of the songs suck!! Almost every song is good on here!! my five favorites are
1. lets make love
2. satisfied
3 meeting in my bedroom
4. back in my arms
5. sexcellent

I remember this album when I was in the 6th grade. My step-aunt played this album so much I became familiar with it. This album captures the heat and passion that is- just SILK. This album celebrates the return of the group from a 3 year absence of sorts, armed with arsenal of sexy songs sure to launch countless nights of heated passion for all fans over the world. Let the music move the hearts, minds and ultimately bodies for old fans and new. Silk always been setting a high standard for themselves, combining their acute street sensiblility with the intensity and maturation level of pop/R&B veterans. It is that delicate blend of heart and experience that embodies this record. This album has been certified Platinum. Remember, this was 1999.

I have liked Silk since they made their debut with their smash hit called "Freak Me" circa 1993. They always had an undeniable sexiness within their songs, but were they tasteful? Eh, most of the times. But there are other times where they really border explicitness. "Freak Me" can be considered tasteful, but to some, it is all out raunchy. It depends on how you view the quote, "let me lick you up and down `til you say stop." To me, it's raunchy, but I love it. Such is also the case with a song on this album called "Meeting in My Bedroom." This is a very nice song, but it is very sexually explicit. I really enjoyed this album, though. This album has a very sexual feel because there are many ballads and lots of talk about making love. The men of Silk sound really good when they perform harmony and when they break out into their solos. Little G always seems to steal the show because he delivers songs wonderfully.

"Meeting in My Bedroom" and "If You" were the two tracks which were released to radio and they did really well for they both received a nice amount of airplay. "Meeting in My Bedroom" took a little getting used to, but it is one of Silk's best songs. "If You" is an experimental number, but it worked out very well. The falsetto notes really make this risqué ballad shine, though. The production on "Let's Make Love" mimics the production on "If You" too closely, but it is still worth listening to. There are moments on this album where you will find typical R&B and average material, but there is no filler; some material is just better than other material. "Sexcellent" and "Back in My Arms" are definitely two of this album's best numbers. "Back in My Arms" is about a man who did his woman wrong, but regrets it and wants her back. Little G gives one of his best vocal performances on "Turn U Out", a song about a man showing his woman new sexual techniques.

R&B lovers, add this album to your collection, especially if sexy music gets you and your object of affection in the mood for love. However, those of you who like an album which has diverse subject matter, don't go anywhere near this album because Silk is all about setting a particular mood on this LP.

Mikeisha's Top 5

1. "Meeting in My Bedroom"
2. "If You"
3. "The Return"
4. "Satisfied"
5. "Sexcellent"

I mean it. Seriously. This album is good from start to finish. They deliver beautiful beats with sexy silky vocals, which is Silk's trademark. Heck! Even the interludes are good! If you are a Silk fan, you will very much enjoy it. If you are new to Silk and like sexy RnB, give this a listen you won't be disappointed. Look for tracks Tonight, Meeting In My Bedroom, If You, Baby Check Your Friend and I Wonder, which is just to name a few.

I bought this cd back in the day when it first came out. I can't front i thought it was a waste of money. Here it is 2007 and im still bumpin that very same cd now. Even tho i didn't pull it off the shelf till 03, im mad all that time i was sleeping on pure r & b at its best.

I own the first 4 Silk albums and this album includes no new material. I was given this disc as a gift and enjoy it because it features the Freak Me remix which was out of print for a long time. This album is a good introduction to Silk for those unfamiliar or for someone that just wants the hit singles.

Everyone knows "Freak Me" but the main reason I enjoy the sultry cd so much is because of the songs I had not known about until purchasing this cd. Some critics might dog out these five talented gentlemen for their limited topics in what they sing about but I don't think a lot those critics will be women. This is a great collection to have and they still sound as fresh as they did in all of these songs as they did when debuted in '92.

Silk were always a remarkable collection of voices that harmonized so well, and they could preach the gospel of the bedroom like no other. R. Kelly based a career on Silk's greatest moment, "Freak Me," but the band's albums could be patchy. The biggest problem is that Silk's greatest moments were always about lust and sex, so the collection is a bit limited in topic, but if you have candles and essential oils in your bedroom you might as well have this. Best Of adequately covers their Elektra years, which was when things were really happening, so you don't need to go much further. Despite having roots in the dated world of new jack swing, Best Of still sounds fresh and what their singles lacked in grabbing production they made up for with wonderful harmonies. "There's a meeting in my bedroom/So girl please don't be late" is a line few could deliver without sounding silly, but check the way the members interact on "Meeting in My Bedroom," and you'll be a convert. The old remix of "Freak Me" gets tacked on to the end of the disc and makes the collection even more desirable.My only compliant is they group didn't include the remix of I Can Go Deep.

Oh lordy. These guys can sang!!! Freak Me would have to be one of the most sensual and sexiest songs ever sung. It's amazing and still raises my temperature. Freak Me, Happy Days and Meeting In My Bedroom are the best tracks here, but overall, it's all good. I should get a second copy in case this breaks from over play, but seriously, it's an amazing cd with stunning music and it's a must for any r 'n b fan. These guys are unfortunately very underated. I love them and I love this.

I WAS VERY PLEASED TO FIND THAT I COULD GET ALL OF MY SILK FAVORITES ON 1 CD. I ORIGINALLY WAS GOING TO PURCHASE THEIR CD ENTITLED "LOSE CONTROL" BUT THEN SAW THE ONE I PURCHASED. DON'T THINK I WOULD'VE EVER BEEN ABLE TO FIND THIS CD IN STORES UNLESS I SPECIALLY ORDERED IT.

Their second self titled released, SILK, follows along the lines of other R&B groups of the time. But the love songs on this set are of a higher quality as compared to their R&B competition. Songs like, Because of Your Love, It's So Good, Don't Rush, and the chart topping hit, I Can Go Deep, as well as Don't Cry For Me, are excellent. Purchase this disc, put it in your I-POD, home system, or car, and the each song play. It will take you back to a better time.

I bought this on tape when it was first released and years later bought the CD. I really enjoyed this album and it deserves a good listen from fans of R&B. Vocally Silk can't be matched. This group was formed back when all members of a group were required to know how to sing. Remember those days?. Jonathon's falsettos are lovely, Gary is one of the strongest singers in R&B and his range is incredible. My fave tracks are Remember Me, What Kind of Love is This, and Now that I've lost you. Every track on this disc is worth listening to. Spend the 10 bucks and you will get more than your money's worth.

One of contemporary R&B's most harmonious and musically accomplished male vocal groups, Silk first hit it big in 1992 with the hits "Freak Me" and "Girl U For Me". On this followup album, their already well-crafted sound has matured even more. Beautiful throughout, especially the dreamy, acoustic-guitar laden ballad "Because Of Your Love".

This is a good come back cd to Lose Control in fact, it is better. Don't Go To Bed Mad is timeless and Hooked On You, Because Of your Love, It's So Good, are all good tracks. If you like good 90's R&B GET THIS CD.( Four stars is more right but, I gave it five because of the song don't go to bed mad, also most r&b albums have less good songs )

I remeber being eleven years when Silk's first CD dropped and slow grinding at those middle school dances. The group returned with a strong follow up self-titled disc. The disc opens up with a effective up-tempo tune Hooked On You which was also a single. The other two big singles from this disc were the sure-fire baby makers I Can Go Deep and Don't Rush. The group also really shows vocals promise on the Gerlad Levert penned Don't Go To Bed Mad and the sentimental What Kind Of Love Is This.All in all a great disc from a great group.